RMG Fridays Celebrates International Women’s Day – Wonder Women

Samantha Pender is a second year Public Relations student at Durham College and is completing her first communications placement at The Robert McLaughlin Gallery this winter.

When I look at art, I see beauty. I see the creative inner workings of a mind spewed onto a canvas or into a photo or object that beams with inspiration and magnificence. What I don’t see is the months of long hours, late nights and early mornings that went into this work. I don’t see the blood, sweat and tears, and the immense strength and effort that are integral ingredients of this work of art. We don’t see that because that is not what the artist is intending to show. They want you to see the beautiful aftermath of domineering strength, hard work and unwavering persistence they endured.

When I see women, I see the same beauty; and again, I am shielded from the remarkable strength those women exude in their lives. We see beautiful women of all shapes, sizes, and ethnicities, but they never let us see their struggles before their triumphs. This month, the RMG is celebrating International Women’s Day with women in art, both behind the canvas and in front of it.

In the Upper and Lower Luke galleries, we are exhibiting The Other NFB: The National Film Board of Canada’s Still Photography Division, 1941-1971. On display are photos of a timeless female Canadian icon, Veronica Foster, or ‘Ronnie the Bren Gun Girl’. She was a Canadian woman working at John Inglis Co. during the second world war, a time when approximately 250,000 women around the country were finally able to work on equal ground with men by getting into overalls and into munitions factories, taking the place of the men at war.

photo

Unknown photographer
Veronica Foster, an employee of John Inglis Co. Ltd. and known as “The Bren Gun Girl” posing with a finished Bren gun in the John Inglis Co. Ltd. Bren gun plant, Toronto
10 May 1941
Contemporary print from vintage negative
National Film Board of Canada. Photothèque / Library and Archives Canada e000760453

In Oshawa, the GM plant ceased production of cars to begin making military vehicles and weapons, and the brawn behind those machines were our own woman, who called themselves ‘Rosie’s the Riveters’, after the American propaganda poster of Rosie the Riveter flexing her arm and chanting, “We can do it.” Rosie the Riveter, an American inspiration to woman everywhere, was created after Canada’s own Ronnie the Bren Gun Girl appeared on the cover of New York Times a few years before Rosie popped up (http://www.andrewhutchison.com/Page%201/page8/page16/index.html).

Rosie's the Riveters, c. 1943.

Rosie’s the Riveters, c. 1943.

Ronnie the Bren Gun Girl can be found in the NFB’s exhibition, photographed both in the factory as well as in her personal life, a wonderful contrast of a hard working woman on the line to one dressed up and having a good time.

The RMG currently has a number of female artists on display in different galleries, including Holly King’s exhibit Edging Towards the Mysterious as well as the two female artists on display in the Painters 11 gallery, Hortense Gordan and Alexandra Luke.

Installation photo by Don Corman

Installation photo by Don Corman

RMG Fridays Film Features is playing into the Women’s Day theme as well. We will be screening “Clearing Spaces” by the talented Broadbent Sisters, a beautifully shot film exploring Greek mythology with a modern twist revolving around the seemingly normal rituals in a woman’s life.

Clearing Spaces V by the Broadbent Sisters.

Clearing Spaces V by the Broadbent Sisters. Film Still.

RMG Fridays will also welcome the IRIS Group, an arts collective from Durham Region featuring ten amazing women: Maralynn Cherry, Rowena Dykins, Laura M. Hair, Holly McClellan, Judith A. Mason, Janice Taylor-Prebble, Mary Ellen McQuay, Margaret Rodgers, Sally Thurlow and Wendy Wallace. They are exhibiting IRIS at 20, a celebration of their 20th Anniversary in which they will paying homage to Women’s Day by revisiting Women’s Day pieces as well as creating new artworks with collected objects from Canadian and international women. The IRIS group is opening in Gallery A on Friday, March 4th, where you can help welcome them during RMG Fridays. They will also have an artists’ talk on Sunday, March 6th as well as a workshop on Sunday, March 20th.

The IRIS Group

Filmic – The IRIS Group

There’s no doubt that visiting the RMG for RMG Fridays Wonder Women will encourage you to consider how female icons and artists are reimagining gender roles throughout their art. I have been inspired by surrounding myself with such amazing artwork and I hope you will be too.

 

 

The IRIS Group – Q & A with Founder, Margaret Rodgers

The IRIS Group will be exhibiting in Gallery A from March 2-27. Prior to their exhibition, IRIS at 20, we sat down with member Margaret Rodgers to tell us more about the the collective and upcoming projects.

Margaret Rodgers is an accomplished, Oshawa-based artist, with an international exhibition history. She is also founder of the IRIS Group – a collective of women artists – formerly an art professor at Durham and Centennial Colleges, and Director/Curator at VAC Clarington. She is the author of Locating Alexandra (Toronto: ECW, 1995) about Painters Eleven artist Alexandra Luke, and is published in venues including OshaWhat, Art and Ecology, Sculpture, Urban Glass, Canadian Art, ESPACE, and the Journal of Canadian Studies. She was a member of Heritage Oshawa for several years, and during that time worked on DOORS OPEN and organized Heritage Week events at Oshawa Centre. She is currently a member of Oshawa’s Cultural Leadership Council. @RodgersMargaret

Margaret Rodgers

Margaret Rodgers, 1976-2016, Mixed media on canvas, 91.4 X 87.6 CM, 2016

 

The RMG: Hi Margaret! Please tell us a bit about the IRIS Group.

Margaret Rodgers: The IRIS Group is a collective of women artists. It began in 1996 as a forum to share ideas, offer mutual support, and develop projects that further the overall intentions of the group. Based in Durham Region, IRIS has exhibited work and mounted outreach projects in galleries and on campuses in Ontario, Alberta, New York State and Mexico.

The IRIS Group

Filmic – The IRIS Group

RMG: What project is the IRIS group most proud of developing together?

MR: I think that our International Women’s Day events have to be the most exciting of our many projects since the group emerged. We even chose to highlight them for our 20 Year celebration! We collected objects and writings, as well as took head shots of women, inviting their comments on whatever they wanted. Some are very funny, others touching and eloquent. I documented these in two books that can be downloaded on our IRIS website.


RMG: What are some examples of current collaborations?

MR: Most recently, we worked together on “the Secret Garden” at YWCA Durham with the help of residents there, and through a city grant as well as Artsvest sponsorships from Oshawa businesses, we were able facilitate our activities. Last spring we exhibited together for FILMIC at Station Gallery Whitby, and the previous fall we participated in Nuit Blanche.

The most current is IRIS at 20. This March in Gallery A at the RMG, two of our members Janice Taylor-Prebble and Laura M. Hair have created a fabulous installation to feature the objects that we collected during the IWD events. The show will also include new works by several of us that riff on the objects, and I will have a projection of all those women that posed for us over our ten events.

iris group

The IRIS Group

RMG: What is the best thing about working within a collective?

MR: I am constantly amazed at the ideas that we develop collaboratively and the way that individual talents merge and support each other. I think that a collective has a better chance to thrive artistically through strength in numbers. A few years ago, we mounted projections of our work on the sides of buildings – something not one of us could have done individually.

For more Information please visit www.theirisgroup.ca

This article was originally published in the Culture Counts e-newsletter on February 9, 2016. It has been adapted for the RMG’s blog.