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Feminist Land Art Retreat: Free Rein

Feminist Land Art Retreat, still from No Man's Land: The Trilogy, digital video, 2018

Free Rein

January 19, 2019 - March 31, 2019

Opening reception: January 19, 2-4pm

Free Rein is an installation by Feminist Land Art Retreat (FLAR), which proposes a vision of a possible future untethered from the legacies of colonialism and the tyranny of individualism. Centred around the three-channel video No Man’s Land, the work repurposes tropes of the Western film genre to subvert its typical narrative of a ruthless lone ranger out on the plain. Instead the video follows a number of horses through various landscapes and the females that take care of them, capturing their collaboration and shared pleasure in the labour at hand. The gentle tenderness of their daily rituals reveal an interdependence, one where survival is not synonymous with conquest and expansion, but relies on mutuality and trust. Here, the concept of “Free Rein” is multiple, suggesting at once, the reins of a horse being freed from its rider, freedom from the reign of a monarch and land relationships that are beyond ownership.

Free Rein was first exhibited at the Audian Gallery (part of SFU Galleries) in Vancouver, May 31 – August 4, 2018, curated by Amy Kazymerchyk. The exhibition premiered No Man’s Land: The Trilogy, which was supported by SFU Galleries, the Western Front Media Arts Residency, Canada Council for the Arts, British Columbia Arts Council, and ACUD Gallery. The first chapter of No Man’s Land was presented at ACUD Gallery in Berlin, April 29 – May 28, 2017, curated by Elodie Evers.

Feminist Land Art Retreat (FLAR) was initiated in 2010 with an advertisement. In subsequent years, FLAR has produced promotional material for public circulation such as posters, t-shirts, postcards, temporary tattoos, and more recently performances and exhibitions. Using conceptual strategies and humour to subvert familiar visual forms and methods of information circulation, their work addresses social and cultural paradigms that construct notions of femininity and nature. Recent solo exhibitions include Free Rein, Audain Gallery, Vancouver; No Man’s Land, ACUD Gallery, Berlin; Heavy Flow: The Re-Release, Ginerva Gambino, Cologne; and Duty Free, Studio for Propositional Cinema, Düsseldorf.

 

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20190119 20190331 America/Toronto Feminist Land Art Retreat: Free Rein <em>Opening reception: January 19, 2-4pm</em> <em>Free Rein </em>is an installation by Feminist Land Art Retreat (FLAR), which proposes a vision of a possible future untethered from the legacies of colonialism and the tyranny of individualism. Centred around the three-channel video <em>No Man’s Land</em>, the work repurposes tropes of the Western film genre to subvert its typical narrative of a ruthless lone ranger out on the plain. Instead the video follows a number of horses through various landscapes and the females that take care of them, capturing their collaboration and shared pleasure in the labour at hand. The gentle tenderness of their daily rituals reveal an interdependence, one where survival is not synonymous with conquest and expansion, but relies on mutuality and trust. Here, the concept of “Free Rein” is multiple, suggesting at once, the reins of a horse being freed from its rider, freedom from the reign of a monarch and land relationships that are beyond ownership. <em>Free Rein </em>was first exhibited at the Audian Gallery (part of SFU Galleries) in Vancouver, May 31 – August 4, 2018, curated by Amy Kazymerchyk. The exhibition premiered <em>No Man’s Land: The Trilogy</em>, which was<em> </em>supported by SFU Galleries, the Western Front Media Arts Residency, Canada Council for the Arts, British Columbia Arts Council, and ACUD Gallery. The first chapter of <em>No Man’s Land </em>was presented at ACUD Gallery in Berlin, April 29 – May 28, 2017, curated by Elodie Evers. Feminist Land Art Retreat (FLAR) was initiated in 2010 with an advertisement. In subsequent years, FLAR has produced promotional material for public circulation such as posters, t-shirts, postcards, temporary tattoos, and more recently performances and exhibitions. Using conceptual strategies and humour to subvert familiar visual forms and methods of information circulation, their work addresses social and cultural paradigms that construct notions of femininity and nature. Recent solo exhibitions include Free Rein, Audain Gallery, Vancouver; No Man’s Land, ACUD Gallery, Berlin; Heavy Flow: The Re-Release, Ginerva Gambino, Cologne; and Duty Free, Studio for Propositional Cinema, Düsseldorf. &nbsp; The Robert McLaughlin Gallery, Queen Street, Oshawa, ON, Canada The Robert McLaughlin Gallery communications@rmg.on.ca