In “HEAVY/WATER/MACHINE”, artist Noah Scheinman uses a variety of materials and research methods to explore the boundaries of Durham Region, offering a panoramic view of a landscape and community shaped by industry. Swimming along the region’s southern border in the waters of Lake Ontario and travelling by car across the region’s northern highways, Scheinman meditates on the ways humans relate to the lands we live on and the local and global industries that power our everyday lives.
“RIP/RAP” is a two-channel video, which documents the artist’s swim-performance adjacent to the nuclear power plant in Pickering and stitches together archival and present-day footage of the historic radioactive waste disposal site in Port Granby. In the former, Scheinman shows the shore of Lake Ontario to be a site of permeability. With each repeated breath, Scheinman takes in views of the land, power plant, and sky before immersing his sights in the water. Each is inseparable from the other, all part of the same system. The second film considers the contrasting timescales of a single human life and the lengthier cultural epochs associated with dominant sources of energy, including the levels of consumption they permit and the generational inheritance of energy-based waste.
Scheinman’s other works draw on a variety of industrial materials, including window vinyl, broken windshield glass, and architectural remnants to fill in his visual representation of Oshawa and Durham Region. The artist also collaborated with local clothing manufacturer Frère du Nord to produce two textile sculptures using geosynthetic fabrics, which are designed to stabilize terrain in large-scale projects, such as land rehabilitation. His appropriation of these materials offers moments of poetic reflection on the physical impacts and cultural influence of large-scale energy production. Indeed, as an expression of the artist’s ongoing research, “HEAVY/WATER/MACHINE” is a rumination on the past and present systems that fuel contemporary life and an invitation into a discourse about what the future has in store.
Installation of HEAVY/WATER/MACHINE at the Robert McLaughlin Gallery, 2023. Images by Toni Hafkenscheid.
Related Programming
Watch the discussion panel with Katie Lawson, Ryan Osman, Dave Mowat, Laura Murray, Warren Harper, and Noah Scheinman that took place on October 14, 2023.
The RBC Emerging Artist Residency Program is generously sponsored by the RBC Foundation’s Emerging Artist Project.
Dreaming of the worlds we want to live in allows us to take the first steps towards creating them. How can we use what we know today to collectively envision a better world for tomorrow? When you imagine the future, what do you hope to change about the past?
World-builders, shapeshifters is a group exhibition that invites us to gather, dream, and speak about love, grief, and togetherness. It braids together six early and mid-career Indigenous artists making speculative work about where they’ve been to better understand where, together, we can go. Exploring themes of decolonial love, joy, kinship, and abundance, the exhibition uses Indigenous Futurism as a device to imagine and believe into being, a world where everyone’s sovereignty is respected, our success is shared, and our flourishing is mutual.
Alex Jacobs-Blum is a Gayogo̱hó꞉nǫʼ (Cayuga) and German visual lens-based artist and curator. Her research focuses on Indigenous futures and accessing embodied Ancestral Hodinöhsö:ni’ knowledge. The core of her practice and methodology is a strong foundation in community building, fostering relationships, empowering youth, and Indigenizing institutional spaces. Her creative process is rooted in cyclical storytelling and challenging hierarchical power structures. Jacobs-Blum endeavours to facilitate transformative change infused with love and care, guided by anti-oppressive and anti-racist modalities.
Jacobs-Blum received a Bachelor of Photography at Sheridan College in 2015, where she was awarded the Canon Award of Excellence for Narrative Photography. Her work has been exhibited at the University of Ottawa, Centre[3] for Artistic + Social Practice, the Woodland Cultural Centre, and Critical Distance Centre for Curators.
Kat Brown Akootchook is a Haudenosaunee and Anishinaabe visual artist and educator belonging to the Oneida Nation of the Thames, Bear Clan. She is a multidisciplinary beadworker and creator known for her printmaking and design. She blends contemporary & traditional elements with a sense of humour and a heart for activism. She often uses her art to call attention to Indigenous rights movements and youth education.
Kat currently splits her time between Southern California and her homelands of Southern Ontario. She is most known for her “Land Back” design, which she created at the Native Action for Mauna Kea, and can be seen on t-shirts across Turtle Island. Her beadwork and designs are used for authentic contemporary Native representation on television and by musicians.
One of her biggest goals is to be that auntie who helps and breaks down the gatekeeping that can sometimes prevent Native people from accessing traditions which have been forcibly taken from us – reclaiming our land, ways, and expression is an honour and a joy.
Kay Nadjiwon is a two-spirit/non-binary Anishinaabe lens-based artist working in Treaty 13. They are currently completing their BFA in Photography at Toronto Metropolitan University and are an MFA candidate. Their artistic practice focuses on issues of identity, memory, trauma and belonging. Nadjiwon uses archival materials, alternative processes and interdisciplinary methods to situate feelings of grief as a site for social connection. Their practice includes photography, video, collage and installation.
Natalie King is a queer interdisciplinary Anishinaabe (Algonquin) artist, facilitator and member of Timiskaming First Nation. King’s arts practice ranges from video, painting, sculpture and installation as well as community engagement, curation and arts administration. King is currently a Programming Coordinator at Xpace Cultural Centre in Tkaronto.
Often involving portrayals of queer femmes, King’s works are about embracing the ambiguity and multiplicities of identity within the Anishinaabe queer femme experience(s). King’s practice operates from a firmly critical, anti-colonial, non-oppressive, and future-bound perspective, reclaiming the realities of lived liv es through frameworks of desire and survivance.
King’s recent exhibitions include Come and Get Your Love at Arsenal Contemporary, Toronto (2022), Proud Joy at Nuit Blanche Toronto (2022), Bursting with Love at Harbourfront Centre (2021) PAGEANT curated by Ryan Rice at Centre[3] in Hamilton (2021), and (Re)membering and (Re)imagining: the Joyous Star Peoples of Turtle Island at Hearth Garage (2021). King has extensive mural making practice that includes a permanent mural currently on at the Art Gallery of Burlington. King holds a BFA in Drawing and Painting from OCAD University (2018). King is currently GalleryTPW’s 2023 Curatorial Research Fellow.
Nishina Shapwaykeesic-Loft is Kanien’kehá:ka from Tyendinaga Mohawk Territory. She is a 2S queer, multi-disciplinary artist in a wide spectrum of mediums. She has a Bachelor of Fine Arts with Honours from York University in Theatre Production and Design.
She works in the theatre industry with a specialization in costuming. She is a mural artist working with StART as a project coordinator and an indigenous advisor. She is the Associate Programmer for the Toronto Queer Film Festival and has worked in programming for imagineNATIVE Media + Arts Festival. She continues to grow within her field and explore new opportunities.
Sheri Osden Nault is an artist, community worker, and Assistant Professor in Studio Arts at the University of Western Ontario. Their work spans mediums including sculpture, performance, installation, and more; integrating cultural, social, and experimental creative processes. Their work considers embodied connections between human and non-human beings, land-based relationships, and kinship sensibilities as an Indigenous Futurist framework. Methodologically, they prioritize tactile ways of knowing, and learning from more than human kin. Their research is grounded in their experiences as Michif, nêhiyaw, and Two-Spirit, and engages with decolonizing methodologies, queer theory, ecological theory, and intersectional and Indigenous feminisms. They are a member of the Indigenous tattoo revival movement in so-called Canada, and run the annual community project, Gifts for Two-Spirit Youth.
Recent notable exhibitions include bringing to light what came from inside, as part of the Images Festival, Toronto; BEHOLD|EN, at the Art Gallery of Alberta, Kwaatanihtowwakiw – A Hard Birth, at the Winnipeg Art Gallery, 2022; Hononga at Hoea! Gallery in Aotearoa (New Zealand), 2021; Where the Shoreline Meets the Water, the ArQuives, Toronto, 2020; Off-Centre at the Dunlop Art Gallery, 2019; and Li Salay at the Art Gallery of Alberta, 2018.
Installation of World-builders, shapeshifters at The Robert McLaughlin Gallery, 2023. Photo by Toni Hafkenscheid.
This exhibition is presented with support from the Maada’ookii Committee, Mississaugas of Scugog Island First Nation, the Downie & Wenjack Foundation and Hudson Bay Foundation through Oshki Wuppowane: The Blanket Fund, and the Government of Ontario through the Tourism Relief Fund.
Join us in celebrating the harvest season! The night will feature music from Matthew Holtby and Darren Roy Clarke. We will also be hosting a breathwork mediation seminar will take place in Arthur’s by Julie Brar. In the lobby, Dine and Style will be presenting a small autumn bounty.
Order of Events
7 pm – Doors Open
7:10 pm – First film screening with DRIFF
7:30 pm – Opening remarks & first performance by Darren Clarke
8:15 pm – Intermission
8:30 pm – Second film screening with DRIFF
8:45 pm – Performance by Matthew Holtby
Join Farah in the Studio downstairs between sets to try out paper quilling. We will use designs inspired by the autumn season to created intricate artwork. No experience required!
In the Lookout, DRIFF will be screening a short film at 7:10pm and 8:30pm.
Engaged to be Engaged by Joseph Covello (13 mins)
On the brink of proposing, a hopeless romantic confronts her true fears and insecurities as she imagines all the ways it could backfire. Meanwhile, her boyfriend is facing a similar predicament.
Community, Breath and the Power of Cellular Nutrition
Come to this informative talk that brings together the community using the power of breath, meditation and regeneratively grown foods. Julie will be guiding you through powerful yet simple breathing exercises that will help you to calm your nervous system. She will also be sharing the power of high vibration regeneratively grown foods and how that help to lift your physical and spiritual practice. Transitioning from summer to fall is a powerful time to reflect and come together as a community. Please bring a journal, pen, yoga mat and a cushion to sit on.
Session is 90 minutes with time for Q & A. Registration is required.
Julie Brar is an award-winning Holistic Nutritionist and Regenerative Health Practitioner who is passionate about supporting others to better health. Julie also holds several yoga certifications and taught yoga for several years prior to moving into Regenerative Health.
Julie specializes in helping men and women who desire to create the best health possible through regenerative health practices. Julie has used nutrition, detoxification protocols and various holistic health practices to reverse her Hashimoto’s and hypothyroidism diagnosis. She uses similar tools for clients whether they want to improve an autoimmune condition or simply release weight. She has multiple programs for individuals and groups online.
Julie is also a published author in a collaborative book project, The Courage to Change, which hit the bestseller list on Amazon under Motivation in 2019.
Warkworth’s Matthew Holtby, has been honing his craft as a songwriter and performer for nearly two decades, producing original and emotive music that strikes a chord with audiences. Recently embarking on a new adventure as a solo artist, he has channeled his influences from the music he grew up with into his latest collection, featuring songs and stories that touch on themes of love, loss, and redemption. His music has been gaining recognition, including rotation on CBC Radio. A new album is set for release later this year.
Singer, songwriter, guitarist Darren Roy Clarke writes songs that map the highways of his heart. Blending delicate roots, confessional country, and heartbreak folk, his music reveals a road-worn journey of the soul. Darren spins introspective vignettes in his distinctive tenor voice, accompanying himself with expressive, exploratory guitar that is as integral to these tails as his lyrics.
Hailing from the cozy, artsy hamlet of Warkwarth, ON, Darren has been writing and performing for over 30 years, opening for the likes of Jason Collett, Craig Cardiff, and the Good Lovelies.
Join us to learn about the life and art of artist Alexandra Luke. Guest lecturer Margaret Rodgers (artist, curator, writer) is the author of the book Locating Alexandra. Alexandra Luke (i.e. Margaret McLaughlin, 1901-1967) was an important artist linked to the beginnings of abstract painting in Canada and a founding member of Painters Eleven, Ontario’s first abstract painting group (1953-1960). Rodgers will share her knowledge and research about Alexandra Luke to compliment the current exhibition at The Robert McLaughlin Gallery, Alexandra Luke: Push and Pull, on view until January 14th.
Celebrate CAMP with us at Odibaadodaan: Celebrating First Nation, Métis, and Inuit Storytellers on Friday, November 24 from 6-9pm. More details here.
Born in Iqaluit, Nunavut, but living predominantly in Southern Ontario, Couzyn van Heuvelen’s artistic practice explores Inuit cultural sovereignty and the tools and technologies of living on the land. Known for his large-scale sculptural works, van Heuvelen’s playful approach seamlessly blends traditional practices with contemporary materials and fabrication processes, asserting the resiliency and adaptability of Inuit culture.
The four sculptural installations in this exhibition build from van Heuvelen’s earlier investigations into hunting and fishing practices by shifting focus to the chores and communal spaces that take shape around the harvesting and preparation of food. Drawing on the seasonal practice of setting up camp in warmer months, van Heuvelen participates in the celebration that takes place when Northern communities gather to hunt and fish together. It’s here where skills are passed from one generation to the next and the sustenance provided by the land is gathered, then shared with friends and neighbours. Van Heuvelen honours these practices in his work, reenacting the processes of fleshing seal, tanning hides, drying pitsik, and filleting char in materials new and familiar to his artistic practice.
This work is shaped by the artist’s own formative experiences with his family and his desire to connect with the love and labour of his homelands. He demonstrates how the camp is a site for shared learning, community-building, and joy. Situating viewers in this conceptual and cultural space, CAMP addresses the critical role of land-based practices in Inuit self-determination, food sovereignty in the North, and the pleasures of celebrating in community around food.
Couzyn van Heuvelen is an Inuk sculptor and multi-disciplinary installation artist. Born in Iqaluit, Nunavut, but living in Southern Ontario for most of his life, van Heuvelen’s work explores Inuit culture and identity, new and old technologies, and personal narratives. While rooted in the history and traditions of Inuit art, his work strays from established Inuit art making methods and explores a range of fabrication processes. His use of unconventional materials and fabrication processes, combined with elements of Inuit culture, mirrors his own process of exploring how traditional practices continue to influence his everyday life.
Van Heuvelen holds a BFA from York University and an MFA from NSCAD University. His work has been included in many group exhibitions across Canada, including the inaugural exhibition INUA at WAG-Qaumajuq (2020), the touring exhibition ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ Among All These Tundras (2018–19), and Arctic/Amazon: Networks of Global Indigeneity at the Power Plant (2022). Van Heuvelen is currently represented by Fazakas Gallery in Vancouver, BC.
Installation of Couzyn van Heuvelen: CAMP at The Robert McLaughlin Gallery, 2023. Photo by Toni Hafkenscheid.
This exhibition is presented with support from the Ontario Arts Council and the Government of Ontario.
The artist gratefully acknowledges support from the Canada Council for the Arts for this exhibition.
Time can be saved, wasted, and lost, but not stopped. We can have all the time in the world yet no time at all. Time as a concept is one of the great mysteries of the world. It is defined as the continued sequence of existence and events in the past, present, and future. Generally speaking, it measures duration; in more philosophical terms it is debated as being either linear or cyclical; and in science, the modern understanding of time is based on Einstein’s theory of relativity. This exhibition explores how artists have marked the passage of time through seasons and hours, aging, captured moments, and referencing the past.
Art can be a reflection of our times—it has the power to express and capture moments through light, colour, subject, or social commentary on contemporary issues. The RMG is dedicated to collecting with intention in order to reflect the diverse voices and contemporary issues that make up the continuing story of Canadian art. Since 1967, the gallery’s Permanent Collection of over 4,700 artworks has evolved through the acquisition of new artwork and the exploration of different themes and topics through exhibitions. Featuring a variety of works from the Permanent Collection, this exhibition reflects on the inevitable passing of time and the lessons we can learn from the past.
Installation of About Time at The Robert McLaughlin Gallery, 2023. Photo by Toni Hafkenscheid.
Please join us to celebrate the opening of HEAVY/WATER/MACHINE by RBC Emerging Artist in Residence, Noah Scheinman. Let us know you’re coming with an RSVP.
Gathering with collaborators and researchers, the artist will speak about his relationship to the toxic legacy of Canada’s post-nuclear landscape. The conversation will bring together different perspectives on the interconnected networks of ecosystems and industry that constitute our environment and invite the panelists to respond to some of the questions posed by Noah’s exhibition.
Refreshments will be served following the panel.
ABOUT THE PANELISTS
Warren Harper is a curator, researcher and project manager currently based in Toronto, Canada. He has worked with and held various positions at arts organisations and institutions across the UK and in Canada. Currently, Warren is a PhD researcher at Goldsmiths, University of London, UK, where he is working on a curatorial research project exploring his home county of Essex’s role in Britain’s nuclear story.
Katie Lawson is a curator and writer based in Toronto. She was a curator for the Toronto Biennial of Art, working with Candice Hopkins and Tairone Bastien on the inaugural 2019 and 2022 editions. She has also curated exhibitions at Kitchener-Waterloo Art Gallery (2024); Images Festival (2023); MacLaren Art Centre (2021); the Art Museum at the University of Toronto (2018); the Art Gallery of Ontario (2018); Y+ Contemporary (2017), and RYMD Reykjavik (2017). Katie is a graduate of the Master of Visual Studies Curatorial program at the University of Toronto, where she previously completed her Master of Arts in Art History. She is currently working towards a PhD in Art and Visual Culture at Western University, with an interest in contemporary art and climate change. Lawson was awarded the Hnatyshyn Foundation Fogo Island Arts Young Curator Residency in 2023.
David Mowat has spent the past 30 years working in various capacities at the First Nation level, in Winnipeg, Waabaseemoong, Scugog Island and Alderville. As a researcher, writer, youth worker, economic development officer, consultation specialist, Band councilor and most recently as the elected Chief of Alderville First Nation, Dave has remained committed to the positive advancement of his communities. His passion remains researching and understanding the treaty, military and settlement history of southern Ontario as it pertains to Alderville but also the Mississauga Nation as a whole. This acquired knowledge over decades, including his academic pursuits in the study of history, allows Dave to defend the Mississauga Anishinabeg presence in southern Ontario with confidence and commitment. Dave is also a long-time blues musician/singer, having taken up the harmonica back in the early 1980s not long after relocating to north end Winnipeg. He still plays professionally in Toronto and south-central Ontario, which balances his political and historical interests. As a traditional wild rice harvester too, he is a staunch defender of this aboriginal right across our treaty areas. In the wake of the Williams Treaties Settlement Agreement Chief Dave’s main intent was and continues to be to secure the settlement for Alderville both for the immediate and long-term viability of the community. Along with his wife Janet and their granddaughter Brooklyn, Dave lives in the home he built in Alderville (24 years ago), adjacent to his beloved Black Oak Savanna and Tallgrass Prairie, where he and Janet also raised their 3 children.
Laura J. Murray, a settler scholar raised in Toronto, is Professor of English and Co-Director of the Graduate Program in Cultural Studies at Queen’s University. She has worked across a wide range of topics including copyright law, media history, and Indigenous history, and methodologies including oral history, walking tours, and podcasts. She is co-lead with Dorit Naaman on a multi-year SSHRC-funded project titled “A Totem Pole on a Pile of Garbage: Contending with Environmental and Colonial Violence in Kingston, Ontario.” Her most recent publication is “We Are the Ones That Make the Treaty”: Michi Saagiig Lands and Islands in Southeastern Ontario” (Ethnohistory 70 (3), 2023, pp. 231–258).
Ryan Osman is a Mauritian Photographer and Water Resources Specialist based out of Wasaga Beach, Ontario. His work sits at the intersections of environmentalism and photojournalism. He endeavors to bridge his work to the many underrepresented and marginalized communities whose access to the arts, nature, and sports, have been historically, and continually denied. Over the years, he has worked with a variety of BIPOC athletes, environmental organizations, communities, and individuals to showcase their work/talents, as well as learn, and listen to their ideas, issues, and stories.
Ryan works as a Field Photographer and Water Resources Specialist for the NGO Water First, which collaborates with Indigenous communities in Canada to address local water challenges through education and training. He is a member of the Board of Directors and the Artist Collective of Uplift Black Centre for Social Justice and Inclusion in Simcoe County. In 2021, he won the international “Greatest Wave” surf photography contest organized by Surf the Greats, Ripcurl Canada and Aquatech Imaging Solutions. In the Fall of 2021, 7 photos from his collection “Further North” were featured in the “Past, Present, Pause” exhibition at the Be Contemporary Gallery in Innisfil. In 2022, Ryan joined the Call to Action #83 Project. Inspired by Canada’s Final Report of the Truth and Reconciliation Commission, Call to Action #83 brings together 14 Indigenous and non-Indigenous Simcoe County artists to share stories, gain understanding and collaborate on a linked series of artworks related to the theme of Truth and Reconciliation.
Noah Scheinman is an emerging multidisciplinary artist and filmmaker with a background in architecture and design. His creative work has been presented in various group contexts, and in 2020 he had a solo exhibition at Modern Fuel Artist-Run Centre. His project Tomorrow’s Geology Today (2019) was selected for the City of Kingston’s annual public art commission, bringing together his interests in infrastructure, ecology, and waste in the form a large-scale photo essay and two sculptures which investigated the region’s history of resource extraction. Scheinman was an Emerging Artist in Residence at the Banff Centre (2020) and has participated in experimental residencies organized by the Agnes Etherington Art Centre (2021), and Artscape’s Creative Placemaking Lab in Ottawa (2020). Before completing a Master of Visual Studies in Studio Art at the University of Toronto, he studied literature at McGill University and sculpture at the Ontario College of Art and Design. In parallel to his current artistic projects, which include the production of a feature-length film about the forestry industry and a sculptural intervention at the site of a former municipal landfill, he is working towards a PhD in Geography at Queen’s University, where he researches the political ecologies and networked arrangements of contemporary logistics.
Seating will be available. If there is anything else we can do to support your participation, please reach out to Hannah at [email protected].
CANCELLED Please note that this event has been cancelled. If you require further information, please reach out to [email protected].
Celebrate the first day of fall with us! The RMG invites you to attend the opening reception of Couzyn van Heuvelen’s solo exhibition, CAMP, with an artist talk, and fall feast in our newly re-opened Backyard.
Registration for the feast is now full, but everyone is welcome to join us for the opening reception from 3-5pm. We hope to see you there!
Remarks and an artist talk + tour with Couzyn will take place in the exhibition around 3:30pm. Dinner will be served around 5pm.
While you’re here, we’re also happy to open and celebrate two new permanent collection exhibitions: About Time and Alexandra Luke: Push and Pull. Check them out!
We are pleased to offer this event during Oshawa’s CONVERGENCE festival, an exciting music and art experience in downtown Oshawa.
For information on our facilities, please click here. If you have questions about the event or other requests, please email Hannah at [email protected].
Speculative Mapping for the Star Glyph Garden is a gathering for setting intentions and asking questions about what is possible when we are led by an ethic of care. Designed for the RMG’s new backyard, the Star Glyph Garden will be a rock garden that welcomes visitors to consider the constellation of people and more-than-human beings that make up this community. The design itself is informed by Indigenous storytelling, as well as the future-oriented cosmology and landing practices of Karyn Recollet and Jon Johnson.
This event is the first in our new Civic Conversations series, which asks: What are we willing to risk to protect, strengthen, and nourish our world and each other? We invite artists and activists from various disciplines to guide us towards stirring questions that challenge us to converse honestly about what is at stake in the way we relate to ourselves, each other, and the places where we live.
Within the context of the RMG’s newly renovated backyard space, this event will provoke thinking and conversation around settler gardening practices and the distinct potential the Star Glyph Garden holds for radical relationality. As a group, participants will be led through a lightly curated mapping process. Karyn will offer prompts that invite reflections and will gather participants into relation. Ephemeral fragments will be left on the site as offerings of love and promise in preparation for the planting of the rock garden, which will take place at a later date.
Participants will be invited to join the artists and gallery staff in a picnic lunch.
Please come prepared to be outside with appropriate clothing, sun protection, and water. The RMG is delighted to provide all participants with a boxed lunch. We have seating and picnic tables, but if you wish, you may choose to bring a picnic blanket for lunch.
For information on our facilities, please click here. If you have any questions about the event or other requests, please email Hannah at [email protected].
Karyn Recollet (Cree, born in Sturgeon Lake First Nation, SK, Canada; lives in Toronto, ON, Canada) is an Assistant Professor in Women and Gender Studies at the University of Toronto. An urban Cree scholar/artist/writer, Recollet’s work focuses on urban Indigenous art-making practices as complex forms of urban glyphing- expressing an expansive understanding of land pedagogy that exceeds the terrestrial. Recollet is in conversation with dance choreographers, Black and Indigenous futurist thinkers, and Indigenous and Black geographers as ways to theorize and activate relationality through forms of land-ing in rupturous times.
Jon Johnson’s research is focused on urban land-based Indigenous Knowledge in Toronto and their representation through oral and digital forms of storytelling. He works actively within Toronto’s Indigenous community in his capacity as a lead organizer for First Story Toronto, an Indigenous-led community-based organization that researches and shares Toronto’s Indigenous presence through popular education initiatives such as storytelling tours of the city and its freely-available smartphone application.
This program is supported by TD Bank Group through the TD Ready Commitment, The City of Oshawa, and The Regional Municipality of Durham.
Exhibition Opening and Awards Reception: Wednesday, August 23, 2:30 pm (no registration required)
The Seniors Art Competition and Exhibition is a showcase of creativity and technical skill among members of the Oshawa Senior Community Centres, Oshawa Public Libraries, and The Robert McLaughlin Gallery. Featuring paintings, drawings, sculpture, and more, this annual community exhibition is structured around a competition theme. This year, the theme is nourish.
2023 Winners:
In the NOVICE category…
The RUNNER UP is Marian Vink for her sculpture Dance.
The WINNER is Renate Belzing. The jury describes Renates’s mixed media artwork, titled Life Finds a Way as “a unique and cohesive interpretation of a weathered landscape.” They were excited by her use of materials, which capture “a windswept scene with impressive depth, scale and colour.” The textures and tactile nature of the work transported them to the beach!
In the HOBBY category…
The RUNNER UP is Kim McIntyre for her work Wood Nymph.
The WINNER is Grant F. Benham for his piece Savannah Traffic (Trade to Nourish a Nation) which the jury describes as “a beautiful, well-composed work with a great sense of movement, both in form and subject matter. The creative approach to the theme points to the complex systems that support human life on a global scale. Technically, the work is strong and expressive, and the jury loved the expert use of a modest canvas to capture such a monumental concept.”
In the OPEN category…
The RUNNER UP is Marijatta Beasley for her collage Fun with Fruit.
The WINNER is Darryl Thorogood for his painting Eugene,which the jury describes as “an expressive work of painstaking detail that captures an ordinary moment with great feeling and pride. Darryl’s interpretation of the theme points to the importance of farming and his treatment of his medium is both captivating and impressive.”
Congratulations to all the winners!
The Seniors Art Competition and Exhibition is co-hosted by The Robert McLaughlin Gallery, Oshawa Senior Community Centres, and the Oshawa Public Libraries.
