RMG unveils new mural by Jon Colwell

Oshawa, ON: On Friday, the Robert McLaughlin Gallery (RMG) was pleased to unveil one of two community-informed murals at the gallery, thanks to a $44,700 Community Building Fund grant from the Government of Ontario and the Ontario Trillium Foundation as part of the Mamanaw Pekiskwewina | Mother Tongues: Dish With One Spoon Territory project. Local MPP Jennifer French and one of the project curators Erin Szikora spoke to the impact of this grant, which was awarded in 2021.

“It was wonderful to appreciate the mural by Jon Colwell as it is showcased at the RMG,” said Jennifer French, MPP for Oshawa. “I am grateful that the OTF has invested in our local gallery and the Mamanaw Pekiskwewina | Mother Tongues: Dish With One Spoon Territory project. This investment means that the community of Oshawa can experience art and Indigenous languages in various ways. Oshawa as a host community has appreciated the art and creativity which reflected our community. Thanks to the funding from the Ontario Trillium Foundation, Mother Tongues has been a tremendously successful and engaging project,” added French.

The mural by artist Jon Colwell was on display at the Delpark Homes Centre Branch of the Oshawa Public Library before being installed at the RMG. It will ultimately be gifted to Bawaajigewin Aboriginal Community Circle. Developed in consultation with local Indigenous community members, the mural reflects the vibrancy and diversity of Oshawa’s Indigenous community, increasing Indigenous visibility and representation in public spaces across the city. Another mural, by artist Jay Havens, is still on display at the Jess Hann Branch Library. It will be permanently installed at the Carea Community Health Centre. Both murals were produced as part of an outreach program connecting local language communities to the exhibition curated by Missy LeBlanc Taskoch pipon kona kah nipa muskoseya, nepin pesim eti pimachihew | Like the winter snow kills the grass, the summer sun revives it.

Jon Colwell’s mural on view at Oshawa Public Libraries – Delpark Homes Centre Branch, 1661 Harmony Rd. N., Oshawa.

Jay Haven’s mural on view at Oshawa Public Libraries – Jess Hann Branch, 199 Wentworth St. W., Oshawa.

The project also included a two-part panel series exploring the importance of Indigenous languages with artists, language teachers, and community organizers who are at the front lines of language revitalization work in our communities. In partnership with Oshawa Public Libraries, the RMG also hosted a Story and Song event to introduce children and youth to Anishnaabemowin with Melody Crowe. Anyone can download a free printable copy of the Story and Song: Anishinaabemowin Colouring Book illustrated by Indigenous artists Sabrina Fontaine, Mem Ireland, Sheri Osden Nault, Skye Paul, and Michael Tiggelman, with Anishinaabemowin translations provided by Melody Crowe.

“We are committed to centering Indigenous voices in the gallery and working to address structural inequities perpetuated by the continued impacts of colonialism. This project was beautifully conceived by Missy LeBlanc; as the exhibition travelled the country each host city or town developed their own outreach project to reflect that local community. We’re grateful to the artists, participants, Missy, and Erin for their contributions to project, and to OTF for their funding support,” said RMG’s CEO Lauren Gould.

Mamanaw Pekiskwewina | Mother Tongues: Dish With One Spoon Territory was awarded the Galeries Ontario/Ontario Galleries (GOG) Public Program Award at an event on November 28, 2022.

The Robert McLaughlin Gallery: The Robert McLaughlin Gallery (RMG) is the largest public art gallery in Durham Region. We believe that art cultivates connected and caring communities. As an artist-centered and community-oriented public art gallery in Durham Region, we bring people from diverse backgrounds together to engage with art that inspires new perspectives, generates meaningful conversations, and creates a sense of belonging. We build relationships with diverse artists and communities through art. The RMG works in collaboration with artists, partners, and audiences to present dynamic and inspiring collections, exhibitions, and programs in an inclusive and equitable environment.

Today, the RMG’s collection of over 4,700 works focuses on telling the continuing story of Canadian abstraction. Each year we present Permanent Collection exhibitions alongside special exhibitions of contemporary art and artists. We prioritize engaging diverse audiences in new and familiar ways through our programming. We foster community connections and partnerships to create a greater sense of belonging. We reimagine the gallery, making space for all. Annually, we welcome 38,000 visitors and 10,000 participants to engage in our: exhibitions, education programs, volunteering opportunities, event spaces, shop, artist-in-residence program, and digital programming. Admission to the RMG is FREE and we typically offer over 100 free public programs each year.

The Ontario Trillium Foundation (OTF), an agency of the Government of Ontario, and one of Canada’s leading granting foundations celebrates 40 years of grant-making in Ontario and making a lasting impact in communities. Last year, OTF invested nearly $209M into 2,042 community projects and partnerships, which included funding for the Government of Ontario’s Community Building Fund. Visit otf.ca to learn more.

Mother’s Day is around the corner

In 1914, President Woodrow Wilson signed a proclamation for Mother’s Day, designating the second Sunday of May to be a national holiday. Since then, we have celebrated over 100 years of moms taking care of us 24/7, since we were born.

If you are looking to give back to your mother for all she has helped you with, join the over 80 countries who will celebrate Mother’s Day on the second Sunday of May.

To help repay some of the debt you owe to your mother consider taking her out for a Mother’s Day brunch on May 8th. Hosted by the RMG in Arthur’s on the 4th with catering provided by Pilar’s Catering. There will be two seatings at 10:30am and 12:30pm. Reservations are required, email czamulinski@rmg.on.ca to secure your spot.

Photo by Brilynn Ferguson

There will be an assortment of fresh pastries and baked goods along with a variety of options for meals and a dessert buffet to follow.

Along with the brunch, we have our regularly scheduled OPG Second Sunday with a special Mother’s Day theme. Children will be creating a unique tile mosaic, a beautiful card and gift wrap for the special person in their lives.

There is no reservation required for OPG Second Sundays, just drop by the RMG from 1pm to 3pm.

Now let’s talk gifts for mom!

Don’t forget to stop by the RMG Shop before May 8 to check out some of these, and more, unique locally made gifts for the special lady in your life including:

Some new supplies for culinary endeavors.

One of these handmade Wizard of Oz themed editions by Kelly Grace.

Some of these fantastic body products by Aide Bodycare.

Or a great Canadian product for your Canadian mom.

Make sure to treat your mom extra special on May 8 and the rest of the year too! Don’t forget about Father’s Day on June 19! The RMG Shop has plenty of locally made dad-friendly gifts.

Ghosts of the Gallery

Public call for Ghost Stories about The Robert McLaughlin Gallery! After almost 50 years in the community, Oshawa’s art gallery has some history behind it, as do the many artifacts, paintings, sculptures and curiosities housed in our gallery vault.

The RMG is currently producing a short documentary titled “Ghosts of the Gallery” set to launch on October 2^nd at RMG Fridays in our Friday Film Features screening room. In the spirit of Halloween, gallery staff are sharing their supernatural experiences on camera and we invite the public to participate as well!

A chill on the back of your neck, unexplained perfume smells, objects moving without the help of human hands, strange apparitions, orbs captured in photographs – we want to hear them all! Telling your story does not mean you have to go on camera, there are many ways we can include it in the film!

Please submit your stories by September 15^th to:

Carla Sinclair, Manager of Community and Volunteer Development
Email: csinclair@rmg.on.ca
Phone: 905-576-3000 x106

Hidden Mothers and “Tall Tale” Postcards

This post comes from the desk of Associate Curator and Curator of the Thomas Bouckley Collection, Sonya Jones.

Researching and selecting images for the exhibition Mindful Manipulation was fascinating! Not only did I learn about darkroom manipulation processes but I also discovered some interesting things about early studio practices. For example, hidden mother photography. In the Victorian era, with long exposure times, mothers would often disguise themselves in different ways to hold their children still. Photographers would try to put the focus on the children by camouflaging the mothers as chairs, couches or curtains.

John Aubrey Morphy Portrait, 1891, Oshawa Public Libraries

There is one example of this in Mindful Manipulation where the mother is draped to look like a chair. The photographer went even further in drawing attention away from the “chair” with a white vignette. This was done by dodging, a process that decreases the exposure for areas of the print that the photographer wished to be light. As a mom, I know firsthand how difficult it is to capture a squirming baby even with today’s technology, and I guess I’m technically hiding too, but behind the lens versus disguised as a couch! The example of the Morphy baby isn’t as creepy as other examples from this time period. If you Google hidden mother photography the results are hilarious and spooky.

“How We Do Things At Oshawa, ONT.”, 1911, Oshawa Public Libraries

The other subject I found interesting in my research was Tall Tale postcards. These postcards began around the turn of the 20th century, and were especially popular in smaller communities where they would exaggerate food sources specific to the region. In Oshawa’s case, the tall-tale is that Oshawa’s rich soil produces gigantic turnips, and that fish were an abundant food source. Photographers would take two prints, one a background landscape and another a close-up of an object, carefully cut out the second and superimpose it onto the first, and re-shoot the combination to create a final composition that is often ridiculous but fun.

Join me on November 17 for a lecture about the history of manipulated images as well as the emerging field of digital forensics by Deepa Kundur.

For more information please visit https://rmg.on.ca/mindful-manipulation-tbc.php

Top image: “How We Do Things At Oshawa, ONT.”, 1917, Oshawa Community Museum and Archives

Moving Image: The RMG’s New Permanent Collection Exhibition

This blog post comes from the desk of Senior Curator, Linda Jansma.

Each year The Robert McLaughlin Gallery completely revamps the Isabel McLaughlin Gallery, a space that is dedicated to the RMG’s permanent collection. When I first came to the gallery, the norm was to give a slice of art history from a chronological perspective: 19^th century landscapes and portraits were followed by the more experimental works by member of the Group of Seven. From there, a selection of works by artists of the Canadian Group of Painters, a group that was formed in 1933 and on to the 1950s and ending before abstract expressionism. It was a traditional way of showing things, but a little on the dull side.

What would happen if an A.Y. Jackson landscape from the 1940s was placed beside a Rae Johnson landscape from the 1990s? A traditional Emily Carr landscape beside a wildly exuberant work by regional artist Lynn McIlvride? A large scale photograph by Montreal-based artist Holly King, beside a small still life by Arthur Lismer? Well, a lot more fun from a curatorial perspective and something that requires more work/thought from our audience!

During the third week of August, we’ll install the exhibition Moving Image. It will include paintings of landscapes that show rushing water and clouds scuttling across the sky; the migration of both people and animals; works that are emotionally moving and create illusions of movement. Works will be historic and contemporary, include painting, drawing, sculpture and photography.

A favourite of mine in this exhibition is a work called Flock from 2009 by Kingston-based artist Don Maynard. From a distance, the installation looks like a swooping flock of birds, but on closer examination, you see a number of traditional paper airplanes (made of thin aluminum rather than paper) with their noses embedded into the wall. When I saw the work in Don’s studio, my first thought was “what a great idea!!” I still think that, and I hope visitors to the gallery enjoy both it and the other works in Moving Image.

Image- Flock (installation views and details), Don Maynard, aluminum, 2009

Curator’s Choice: Moving Image

This blog post comes from the desk of Senior Curator, Linda Jansma.

Beyond Measure: Domesticating Distance is an exhibition initiated by emerging curator Ambereen Siddiqui and assisted by a Culturally Diverse Curatorial Project grant through the Ontario Arts Council.

Its theme of artists living in the context of the diaspora, segues with one of the sections in Moving Image, the RMG’s new permanent collection exhibition. Millions of people are on the move and displaced from their home countries, and that displacement leaves voids and longing for what once was.

A key work in Moving Image is a video by Vessna Perunovich entitled Unoccupied NY. It follows the artist through different parts of New York City as she carries a single mattress on her back. Her work addresses concepts of migration, longing and boundaries, as well as the diversity of New York’s populations along ethnic, social and economic lines. Perunovich, like four of the five artists in Beyond Measure, is an immigrant to Canada who relates to a sense of the dis-rootedness and yearning that comes with leaving one’s home country. This work, along with Surendra Lowatia, Tazeen Qayyum, Meera Margaret Singh, Asma Sultana, and Abdullah Syed challenges the viewer to look more deeply into the individual experience and the singular work and see its universal themes.

Image: Vessna Perunovich, Unoccupied NY, video still.

Their Stories – Call for entries!

Deadline: 1 December, 2015

Help tell the stories of 10 unidentified portraits in the Thomas Bouckley Collection. Whether it is a fictional diary entry, poem, letter, short story, storyboard, or character sketch, imagining an identity to these unknown portraits brings the characters to life.

Submissions will be reviewed by a jury, and selected entries will accompany the photographs in an exhibition at The Robert McLaughlin Gallery or displayed on our website. Please click here to submit.

Unidentified portraits are not commonly displayed. By bringing these images forward, we hope to engage the creative side of the public of the public, and possibly in the process discover a clue as to their true identity.

For more information contact Sonya Jones, Associate Curator and Curator of the Thomas Bouckley Collection at sjones@rmg.on.ca

To for more information and to submit, please visit https://rmg.on.ca/their-stories.php

My Curatorial Internship at the RMG

Alessandra Cirelli is a Museum Management and Curatorship student at Fleming College and this summer she completed her placement with the RMG.

During my undergrad, I completed a degree in art history and fine art, but when I finished I had that nagging question that most students have—what do I do now? I knew I wanted to work in an art gallery, but felt I needed the skills to do so. So back to school I went, to become a Museum Management and Curatorship student at Fleming College, a one-year program with a 14-week internship. There, I studied how to preserve and catalogue art, artifacts, and manage the daily operations of a Museum and Art Gallery institution. I learnt more than I could have ever imagined about the inner workings of a Museum and Art Gallery. The school year flew by and at the end of my second semester it was time for my internship. I changed my one-hour commute to Fleming College in Peterborough into a welcomed ten-minute drive to The Robert McLaughlin gallery where I spent the summer as a curatorial intern.

During my internship, I experienced a bit of everything, from cataloguing and rehousing photographic collections, helping create exhibition proposals, photographing and reorganizing the sculpture collection, I have been involved in it all. One of the many highlights of my internship was the chance to use my newly acquired artifact and artwork handling skills to take down and install new exhibitions. It was a proud moment seeing the loading dock full of multi coloured crates filled with artworks I helped pack and wrap waiting to be shipped to the next exhibition.

My main internship project was to reorganize and photograph the sculptures in the RMG’s sculpture collection. Sculptures were photographed using professional lighting equipment and Canon 5D camera. The pictures were then uploaded to the RMG’s online database for both internal use and, if copyright allowed, for the public to see and enjoy. After photographing, I reorganized and assigned locations to the sculptures in the vault. As good practice, each object should be locatable within 3-5 minutes and should be accessible by moving only one to two items to get to it. By reorganizing and assigning locations, the sculptures in the RMG’s sculpture vault are now more accessible for research and exhibition preparation.

I have learnt a great deal at the RMG, I now feel like I have the knowledge and the skills to work in a Museum or Art Institution. I extend a huge thank you to everyone here at the RMG for making me feel like a part of the team during my 14-week internship.

Fall On The Move

This fall, we are exploring how artists have conveyed the overlapping themes of memory, migration and movement with two exhibitions: Moving Image and Beyond Measure: Domesticating Distance.

In Moving Image, Senior Curator Linda Jansma explores how the theme of movement manifests itself in the RMG’s permanent collection. Selected from our collection of over 4,500 works, this exhibition examines not only physical movement of objects and people, but also those images that emotionally move us. With our permanent collection, we continue to tell the story modern and contemporary art across Canada.

The RMG is thrilled to partner with SAVAC (South Asian Visual Arts Centre) to present Beyond Measure: Domesticating Distance. Curated by Ambereen Siddiqui, this exhibition explores contemporary South Asian perspectives on the notion of absence within diasporic communities and dislocation within the experience of migration. Featuring performance and installation, photography and sculpture, the artists in this exhibition use their multidisciplinary practices to echo the diversity of their layered experiences.

In conjunction with these exhibitions, we are pleased to offer complimentary programming. Please join us for a symposium featuring a panel discussion by the artists in Beyond Measure: Domesticating Distance on Saturday 12 September. As well, join artist Tazeen Qayyum on Sunday, 15 November in the studio for an introductory workshop to Miniature Painting of Persian and South Asian tradition, outlining the different traditional styles and schools, and contextualizing contemporary practices.

On view:

Moving Image
Works from the Permanent Collection
August 22, 2015 – August 20, 2016
Opening: RMG Fridays: 11 September, 7-10pm

Beyond Measure: Domesticating Distance
Surendra Lawoti, Tazeen Qayyum, Meera Margaret Singh, Asma Sultana and Abdullah M. I. Syed
September 5, 2015 – January 3, 2016
Opening: RMG Fridays: 11 September, 7-10pm

Programming:

Symposium
Beyond Measure: Domesticating Distance Symposium
Saturday 12 September, 11am-3pm

The symposium will include a tour of the exhibition with guest curator, Ambereen Siddiqui followed by a panel discussion with the participating artists; Surendra Lawoti, Tazeen Qayyum, Asma Sultana and Australia-based Abdullah M.I. Syed. This will be an occasion for viewers to ask questions about the process and multidisciplinary practices of each artist, as well as an opportunity for the artists to expand upon the layered and subtle meanings within the artworks.

A complimentary light lunch will be included. Space is limited. FREE! Register by Thursday 3 September at rmg.on.ca. Registration required.

Workshop

Miniature Painting: Art Workshop
with artist Tazeen Qayyum
Sunday, 15 November, 11am – 3:30pm

An introductory workshop to Miniature Painting of Persian and South Asian tradition, outlining the different traditional styles and schools, and contextualizing contemporary practices. The workshop includes an illustrated lecture, demonstrations of various techniques, including the making of qalam (brush). Participants work through a drawing assignment to reinforce a number of different techniques, including Siyah Qalam (drawing with a brush), the charba method of drawing (image transferring), creating a jidwal (traditional border), and preparing and adding rung (colour). All materials provided, but please bring your own lunch.

Space is limited and registration is required. $20 Members / $30 Non-Members

Above Image: Walden Pond/Mirror (detail): From the exchange between artists Surendra Lawoti and Meera Margaret Singh for their project “Of Light and Longing, 2014-2015.” Credit to Surendra Lawoti.

Meet Leslie Menagh, the RMG’s new Manager of Public Programs and ArtReach

Leslie Menagh is the RMG’s new Manager, Public Programs & ArtReach. Prior to joining us, she was working as an artist, as well as in theatre, film, artist-run-centres, festivals and cultural organizations. Stop by and welcome Leslie to the RMG team!

The RMG: What were you up to before the RMG?

Leslie: Wearing many hats. I was running a home-based studio/arts venue called Eddy Creak (still am) for the presentation of live music and visual art. I’d been privately costuming for theatre and film and for years, working as a videographer, and quietly as an artist myself. Freelancing as an art educator has also been in my repertoire, as has volunteering for numerous artist-run-centres, festivals, and cultural organizations. I’m a bona fide art tart. One of my beloved Peterborough places is Artspace, where I’ve been volunteering for years and recently and proudly joined their Board of Directors.

The RMG: What drew you to the museum sector?

Leslie: My interests are so diverse. I think the best part of working in this sector is that there is the potential to engage with any subject, story, object, or idea. It suits my interdisciplinary soul.

The RMG: What is your favourite museum?

Leslie: I had an opportunity to visit Paris a few years ago, and spent an afternoon at The Decorative Arts Museum. They were doing a phenomenal feature on jewellery spanning thousands of years. Most of the displays were dramatically lit in darkened rooms. The building itself – part of the complex that hosts the Louvre – was equally enchanting, and rich with architectural vistas and haunting acoustics. Unforgettable.

The RMG: What is your first memory of art?

Leslie: I’d have to say music. My father is a musical conductor and I grew up watching him wave his arms at choirs, bands, and theatre groups. There are photos in my parents’ home of my sister and I toddling around a stage at his feet.

The RMG: What is the one thing you want to share with people about the RMG?

Leslie: The Art Lab residency program through Gallery A is such a golden, professional development opportunity for artists. It’s FREE, very straight forward to apply, and once you’re here, setting up studio visits and an artist talk provides invaluable exposure.