Learn to Bead: Peyote Stitch Workshop with Olivia Whetung

This two-part workshop is presented alongside Olivia Whetung: inawendiwok and will teach beginner and advanced-beginner geometric peyote stitch skills.

In the first workshop (Nov 22), participants will learn basic peyote stitch including flat even-count peyote and even-count tubular peyote. This session will focus on learning the skills and producing test swatches rather than producing a finished piece.

The second workshop (Dec 6) will build on those skills, covering increases and decreases in peyote as well as stitch-in-the-ditch techniques. In this session, participants will create a triangular pendant which can be added to a chain or cord and worn in a variety of ways (as a necklace, keychain, car dangler, bookmark, or more).

This workshop series is free, but registration is limited to 12 participants. Please complete this form to reserve your spot.

If you have any questions or there’s anything we can do to support your participation in this event, please email Hannah Keating at [email protected].

Olivia Whetung is anishinaabekwe and a member of Curve Lake First Nation. She completed her BFA with a minor in anishinaabemowin at Algoma University in 2013, and her MFA at the University of British Columbia in 2016. Whetung works in various media including beadwork, printmaking, and digital media. Her work explores acts of/active native presence, as well as the challenges of working with/in/through Indigenous languages in an art world dominated by the English language. Her work is informed in part by her experiences as an anishinaabemowin learner. Whetung is from the area now called the Kawarthas and presently resides on Chemong Lake.

Courtyard Concerts

We’re pleased to host Courtyard Concerts in our Backyard this fall. Join us on September 17 and October 15 from 1-2pm for this exciting music performance series.

September 17
1 – 2pm

ABBYGABBY is a sister duo who blend catchy melodies, soulful harmonies, and playful energy to create music that’s both heartfelt and fun. Rooted in pop, gospel, and R&B, their songs tell real-life stories and celebrate love in all its forms. Through their music, they aim to create a space where people feel the vibes, connect, relate, and have a good time.

October 15
1 – 2pm

Kromatix_ is the sultry sound of Funky R&B and Neo-Soul reimagined. A singer, pianist, and storyteller from Scarborough, he blends lush harmonies and timeless grooves inspired by
D’Angelo and Stevie Wonder. With a Canada Council–funded debut album on the way, his
intoxicating artistry is set to mesmerize globally.

Courtyard Concerts are free live music series featuring diverse Ontario-based artists. Performances are curated with a focus on diversity, inclusion, and accessibility. Artists range from solo instrumentalists, acoustic singer-songwriters, duos, trios, and full bands.


Courtyard Concerts is made possible thanks to the generous support of Ontario Creates

Par Nair: Exhibition Opening + Artist-led Tour

Help us celebrate the opening of Par Nair’s solo exhibition at the gallery, featuring a new series of large-scale landscape paintings and embroidered artworks.

Remarks will begin at 1:30pm with a musical performance by Hasheel followed by an artist talk with Par. She will reflect on her time in the RBC residency program and share insights into her new work in an artist-led walkthrough of the exhibition.

Learn more about the exhibition here. This event is free and open to everyone. If there are ways we can support your participation, please contact Hannah at [email protected].

Hasheel is a South Asian Queer Hindustani Classical Musician. He began training at the age of five under his father. He also started playing the bansuri under the guidance of his first teacher and original flautist on the Life of Pi score, Shri Jeetu Sharma. He quickly excelled in both Indian and Western music and started composing and writing his own pieces at the age of thirteen.

Hasheel lived in India to pursue his musical training and is currently a senior student of the legendary Pandit Hariprasad Chaurasia. Hasheel has performed around the world and across Ontario. He is also featured in numerous albums and film scores and his collaborations include those with Balkan musicians all the way to electronic House and Drum and Bass artists.

Hasheel pushes gender fashion norms that exist in and outside of India. He often gender bends while wearing clothing inspired by Indian bridalwear. His music mixes hip-hop, electronica, R&B, and Bollywood with a steady undertone of traditional Indian Classical.

Performances have included those with Kailash Kher, Hariharan, Karthik, Shafqat Amanat Ali Khan, Karsh Kale, and for academy award winner A. R. Rahman. He has also headlined stages at Pride Toronto, Small World Music Festival, Basement Bhangra Beyond in NYC, and Iceland Airwaves in Reykjavik. His most recent work includes ‘LIMCA’ and ‘RaagRani’. Released as a spin on Beyonce’s ‘Lemonade’, ‘LIMCA’ is a celebration of Indian culture and queer expression. ‘RaagRani’ is a documentary style music video celebrating the union of his cultural identities.

The RBC Emerging Artist Residency Program is generously sponsored by the RBC Foundation’s Emerging Artist Project.

Winter Exhibitions Opening Reception

The RMG is pleased to celebrate two new installations on November 15! Join us for guided tours, musical performances, and refreshments. Artists and curators will be in attendance. Refreshments provided.

1:30pm – Formal remarks with artists and curators and a musical performance by Missy Knott

2:15pm – Join Olivia Whetung (artist) and Mona Filip (curator) in the gallery for a tour of inawendiwok

Olivia Whetung: inawendiwok installation at AGM, 2024.

Mutualism 07, discarded Perspex display, metal components, steel rope, nylon
line, bird seed, 2021, 60cm x 18.5cm x 10cm, photo: courtesy of the artist

3:00pm – Join Scott Rogers (artist) and Leila Timmins (curator) in The Backyard for a tour of Mutualism (Fixed Assets)

This event is free and open to everyone. If there are ways we can support your participation, please contact Hannah at [email protected].

OPG Sunday: Sleepy Animals

In the Studio
This month we explore the works in Olivia Whetung: inawendiwok. We will take note of the artist’s experience working on and with the land. The artworks speak of the interdependence and relationality within our ecosystem. We will be using acrylic paint to mimic textured bark on paper. The studio activity and lobby activity will then be pieced together to create one artwork showing cozy hibernating animals, showing the importance of woodland environments.

In the Isabel Gallery
We will create sleepy animals, curled up in hibernation using oil pastels. Hibernating animals in Ontario include foxes, squirrels, skunks, snakes and more!

Olivia Whetung: inawendiwok installation at AGM, 2024.

About Olivia Whetung: inawendiwok
Whetung’s poignant works solicit our attention and reconsideration of spaces and species that are crucial to biodiversity and to sustainable food production. Tenderly foregrounding our more-than-human neighbours, they remind us that we are not the only ones to benefit from the land’s gifts, nor to suffer from ecological ruin. The exhibition’s Anishinaabemowin title, inawendiwok, loosely translates as “they are related to each other,” emphasizing the ways in which coexistence within the ecosystem is mutually linked.

Click HERE to learn more about this exhibition, and view related events!

Suitable for ages 3+
Free admission, no registration required.

The Robert McLaughlin Gallery is a proud participant in Ontario Power Generation’s Power for Change Project, supporting the areas and people where OPG operates.

Closing Activities: We are ten thousand hands that plant seeds

Installation of We are ten thousand hands that plant seeds at The Robert McLaughlin Gallery, 2025. Photos by Toni Hafkenscheid.

Free admission. Everyone is welcome.
Dive deeper into the themes, histories, and techniques behind the group exhibition We are ten thousand hands that plant seeds. Learn from the artists directly, enjoy a delicious lunch, and experience the exhibition before it closes on October 6.

11am-1pm – “Mapping with Embroidery”
Hands-on workshop with exhibiting artist Sharmistha Kar 16+
This workshop has limited registration, so please save your spot here!

12:30pm-2pm – Lunch
Join us for delicious food from local restaurants! Enjoy RMG’s backyard and meet the artists and curator.

2-4:30pm – “Sounds of Resistance”
Sound Talk + Listening Session with exhibiting artist Soledad Fatima Muñoz
All ages
Drop-in! No registration required.
Refreshments provided.

Sharmistha Kar, Soft Shelter IV (detail), bunka on tarpaulin, 2018.

Mapping with Embroidery
Hands-on workshop with Sharmistha Kar
11am-1pm
Ages 16+
Register here.

While learning the slow and meditative technique of Bunka embroidery, workshop participants will consider ideas of memory, mapping, migration, and movement. Together we’ll ask: how does it feel to experience a new place or to imagine a familiar place in a new way? Sharing stories, and travelling by way of thread across fabric, participants will encounter a unique pace of making, with support from artist Sharmistha Kar.

Sounds of Resistance
Sound Talk + Listening Session with exhibiting artist Soledad Fatima Muñoz
2-4:30pm
All ages
Drop-in! No registration required.

Led by artist Soledad Fatima Muñoz, let’s dive into the sounds of South American resistance. Featuring selections from her personal record collection, the session will focus on the groundbreaking Chilean label, Discoteca del Cantar Popular (DICAP). Founded in 1967 by the Communist Youth of Chile, DICAP became a vital voice for politically engaged musicians whose work was often silenced by mainstream outlets. It played a central role in the Nueva Canción Chilean (New Chilean Song) movement, offering a sonic platform for anti-capitalist expression and cultural resistance. Even after the 1973 military coup and the destruction of its Santiago offices, DICAP’s mission lived on—operating from exile in Paris and Madrid and continuing to release music under the sub-label Canto Libre for Chilean artists in diaspora.

Through an afternoon of shared listening, Soledad Fatima Muñoz will guide us through this sonic history—tracing threads of resilience, memory, and artistic defiance that resonate deeply in her own creative practice.

This event is free and open to everyone. If there are ways we can support your participation, please contact Hannah at [email protected].

Co-presented with SAVAC (South Asian Visual Arts Centre).

OPG Sunday: Creative Castles

In the Studio
Let’s take inspiration from Building Black Civilizations: Journey of 2,000 Ships by creating our very own treasure maps. Using the ideas of voyaging and fantasy, we will create our own diverse and epic worlds.

In the Isabel Gallery
Inspired by the fantastical architectural landscapes evident in Building Black Civilizations: Journey of 2,000 Ships, we will craft our own castles using paper collage techniques.

Ekow Nimako, Wawa Aba, The Sunrise Dancer (circa 1358), 2022. Courtesy of the artist.

About Building Black Civilizations: Journey of 2,000 Ships
The projects this month are inspired by the exhibition, Building Black Civilizations: Journey of 2,000 Ships. Combining architecture, historical accounts, and fantastical possibilities, Ekow Nimako transcends the geometric form of LEGO® to recreate the 14th century sea voyage of Abu Bakr II.

Learn more about the exhibition, the artist and view related events HERE.

Suitable for ages 3+
Free admission, no registration required.

The Robert McLaughlin Gallery is a proud participant in Ontario Power Generation’s Power for Change Project, supporting the areas and people where OPG operates.

OPG Sunday: Vibrant Music


All ages. Free admission.

In the Isabel Gallery
This month we are joining forces with Making Music Together!

They will be bringing a live, interactive activity into our gallery space. Children will explore music with instruments and props, engaging with trained specialists for a fun morning filled with tunes. Please register ahead of time using the form below.

In the Lobby
Inspired by Georgia Fullerton’s watercolour abstract art we will try our hand at creating expressive and vibrant patterns! Paint using the wet on dry technique, then cut your art into a leaf shape to commemorate the season.

In the Studio
Using gelli-plate leaf printing with real preserved leaves, we will take imprints of their texture capturing the essence of fall with warm colours!


About Making Music Together
Making Music Together is a recognized, research-based early-childhood music program with over 20 years of experience. We specialize in bringing the joy of music, movement, and education to children from birth to 8 years old. Our mission is to foster musical growth, essential life skills, and a lifelong love of music in young learners through engaging and developmentally appropriate activities.

About Georgia Fullerton: Being In and Moving Through
This exhibition showcases Fullerton’s well-known abstract expressionist watercolours and collages as well as invites viewers into her creative process. For Fullerton, the act of artmaking is just as significant as the final piece, with both working together to illustrate how art serves as a vital tool for processing and moving through emotions. Learn more about this exhibition, and view related events HERE.

Georgia Fullerton, Candy Coated 2019, watercolour and mixed media.

Georgia Fullerton, Candy Coated 2019, watercolour and mixed media.



The Robert McLaughlin Gallery is a proud participant in Ontario Power Generation’s Power for Change Project, supporting the areas and people where OPG operates.

Scott Rogers: Mutualism (Fixed Assets)

Mutualism (Fixed Assets) is a new temporary public artwork for the backyard at Robert McLaughlin Gallery. This ambitious new installation builds on Rogers’ interest in human- built infrastructures for the care and support of non-human beings. Taking the form of a site-responsive bird feeding station, the work is assembled from broken automobile parts scavenged from roads and highways. This reuse of discarded materials connects with the industrial history of Oshawa, while proposing possibilities of ecological renewal out of the wreckage.

Bio
Scott Rogers was born in Mohkinstsis Calgary Treaty 7 and lives in Tkaronto, Canada. His practice negotiates the complex relationships between humans, other living beings, and land. Notable recent projects include Ormston House (Limerick, IR), ATLAS Arts (Skye, SCO), Pink Snow (Berlin, DE), Nuit Blanche (Toronto), Koraï Project Space (Nicosia, CY), Kunstverein München (DE), Ivory Tars (Glasgow, SCO), Kamias Triennial (Manila, PH), and Franz Kaka (Toronto). In 2017 Rogers co-edited “Recognition”, the 14th issue of the journal FR DAVID, in collaboration with Will Holder and published by KW Institute for Contemporary Art (Berlin, DE). Scott’s audio installation Songs to the Sun was recently acquired for the Circulating Public Art Collection of Markham (CA). In 2025 he organised Affinities, an exhibition with two seven two gallery (Toronto), and presented Between Leaf & Light, a new site-specific sound installation for the Cancer Program at Barrie Royal Victoria Regional Health Centre.

Opening Reception: Ekow Nimako: Building Black Civilizations: Journey of 2,000 Ships

Join us in celebrating the opening of Building Black Civilizations: Journey of 2,000 Ships, a solo exhibition by Toronto-based artist Ekow Nimako curated by Alyssa Fearon. We’re pleased to align this exciting event with Convergence 2025 in downtown Oshawa, featuring a performance by our very own artist in residence, Pixel Heller.

Please RSVP using this form.

Event details:

  • Remarks at 2pm
  • Artist Talk + Tour at 2:15pm
  • Hands-on LEGO activities for all ages
  • Light refreshments provided


Coming from Toronto? We’ll pick you up! Save your seat on the art bus
shuttle using the RSVP link. The bus will collect guests from the
ROM (100 Queens Park, Toronto) at 11:30am and return around 5pm.

Ekow Nimako, Wawa Aba, The Sunrise Dancer (circa 1358), 2022. Courtesy of the artist.

About the exhibition:
Continuing his afrofuturistic reimagining of ancient African kingdoms in the medium of LEGO bricks, Ekow Nimako explores the mysterious fourteenth century sea voyage of Mansa Abu Bakr II in Journey of 2,000 Ships. Combining architecture, historical accounts, and fantastical possibilities, Nimako transcends the geometric form of LEGO to recreate the epic voyage, presenting an uninterrupted and unco-opted narrative of Black civilizations and liberated futures. Visit the exhibition page for more information.

This event is free and open to everyone. If there are ways we can support
your participation, please contact Hannah at [email protected].

Organized and circulated by Dunlop Art Gallery.