Walking in Margaret’s Garden is an installation of 191 glass sculptures hand-formed by artist, Cheryl Wilson-Smith. Suspended in the atrium of The Robert McLaughlin Gallery (RMG), this playful installation transforms the natural light that defines the space into bright, colorful shadows. As a celebration of the RMG’s 60th Anniversary, Wilson-Smith invites us to reflect on the expressive qualities of abstraction, and the significance of the RMG Permanent Collection.
The installation is inspired by an abstract painting in the RMG Permanent Collection. Garden was painted in 1958 by Alexandra Luke (née Margaret Alexandra Luke), a member of Painters Eleven and founding member of the RMG. Wilson-Smith’s installation, Walking in Margaret’s Garden, takes as inspiration the deep reds, cornflower blues, and bright turquoises of Luke’s painting, translating these colors into glass. Each glass tile was made by Wilson-Smith at her studio in Red Lake, ON. The tiles were draped over clay molds to create their convex shape, then fired in electric kilns. The installation is arranged in the atrium in cascading layers, emulating the rhythm and texture of Luke’s painting.
As Cheryl Wilson-Smith states: “Margaret Alexandra Luke understood that colour was not decoration, it was feeling made visible.” Walking in Margaret’s Garden celebrates light, energy, and colour. Viewers are invited to walk through the shadows beneath the installation, and are encouraged to return to the gallery at varying times of day to see how light transforms the work.
Artist Bio
Cheryl Wilson-Smith is a glass artist based in Red Lake, Ontario, in the middle of the boreal forest, where the highway ends. With over thirty years of professional experience, Wilson-Smith’s work is energized by the exchange between glass and the people who encounter it. The artist explores glass as a material that carries time and memory, creating a relationship between the environment and the human condition.
Wilson-Smith has been fortunate to hold residencies at Sheridan College, the Corning Museum of Glass, as well as residencies in Norway and Scotland. She is a recipient of the RBC Award for glass and the Chalmers Arts Fellowship. Her work has been exhibited widely throughout the US and Canada, and was recently shown in Scotland and England. Locally, her work can be seen at Oeno Gallery, in Picton ON.














