Lana Yuan: RBC Emerging Artist Residency Exhibition

During her residency, Lana Yuan will develop a new sculptural project that examines how loneliness, routine, and displacement are inscribed onto the body through the patterned behaviours of urban life. Working across digital fabrication techniques such as 3D printing and laser cutting, alongside hand assembly and lathe work, she will construct installations that oscillate between rigidity and softness, conveying the tension she has observed in urban environments between emotional distance and physical closeness. Drawing material inspiration from Oshawa’s industrial history and social rhythms, she will salvage and repurpose found objects into sculptural forms. This new work will explore the unintentional connections we form with each other through repetition and proximity overtime.

Artist Bio:
Lana Yuan is a Critical Making and Makerspace Assistant at York University’s Markham Campus Library, and an artist working across sculpture, kinetic works, and interactive installation. Her recent interests focus on combining sculptural practice with digital technologies such as parametric modeling and 3D printing. Her work explores patterned behaviours within urban environments, with attention to how quiet intimacy, routine, and proximity shape human experience. She recently began incorporating digital fabrication processes to translate datasets and systems into material forms. Lana graduated from the University of Toronto and has exhibited at venues including the Art Museum at the University of Toronto, YYZ Artists’ Outlet, and Red Head Gallery. She is the recipient of the 2022–2023 401 Career Launcher Prize, and her work has been supported by the Toronto Arts Foundation and the Ontario Arts Council.

Annual General Meeting

Join us for The Robert McLaughlin Gallery’s Annual General Meeting on Wednesday, June 17, from 5:00 to 7:30 p.m.

Aaron Li Photography

This year’s AGM is an opportunity to gather as a community, celebrate the work of the RMG, and reflect on a meaningful year of exhibitions, programs, partnerships, and public impact. Guests are invited to enjoy refreshments, take part in a brief curatorial tour of Sukaina Kubba: Not Soft by Nature, hear staff presentations highlighting our work in 2025, and help us welcome new members to the RMG Board of Directors.

To celebrate the occasion, we are pleased to offer 20 free RMG memberships to the first 20 guests. These memberships may be used to renew your own membership or, for current members, gifted to someone else. RMG membership also includes participation in the Galleries Ontario / Ontario Association of Art Galleries reciprocal membership program, providing access to many public art galleries across Ontario at no cost.

Schedule

5:00 to 6:00 p.m.
Refreshments in the Lobby

6:00 to 6:20 p.m.
Curatorial Tour of Sukaina Kubba: Not Soft by Nature

6:40 to 7:15 p.m.
Annual General Meeting and Staff Presentations in Arthur’s

Installation of Sukaina Kubba: Not Soft by Nature at The Robert McLaughlin Gallery, 2026. Photos by Toni Hafkenscheid.

We look forward to welcoming you, sharing our story, and celebrating the gallery’s continued role as a vibrant public art gallery for Oshawa and Durham Region.

Mother’s Day Tea 2026 with Farm and Wild

We are pleased to present Farm and Wild, hosting Mother’s Day High Tea in Arthur’s this year.

Join us for a delightful weekend to celebrate the mothers and caretakers in our lives. Chef Daniel Bresca will present for you a curated selection of treats and beverages, in a beautiful setting waiting for you.

Whether you’re gathering with family or treating someone special, we invite you to relax, indulge, and make lasting memories together.

Spots limited.

On the day of the event, ticketholders will receive 10% off a purchase in our gift shop on regular priced items. Not including books or member pricing, in store only.

Seniors Art Competition and Exhibition 2026: Opening and Awards Reception

Join us at 2:30pm for the opening reception of That Summer: Seniors Art Competition and Exhibition. Prizes will be awarded in three categories: Novice, Hobby, and Open.

This event is free and open to everyone. If there are ways we can support your participation, please contact Hannah at [email protected].  

The Seniors Art Competition and Exhibition is co-hosted by The Robert McLaughlin Gallery, Oshawa Senior Community Centres, and the Oshawa Public Libraries. Seniors programming has been made possible thanks to the generous support of Sienna for Seniors Foundation.

Backyard Story Time at the RMG

Experience the magic of outdoor story time at the art gallery! Through books, songs, games, and creative activities, storytellers from Oshawa Public Libraries will spark your imagination in The Backyard at the RMG!

This event is free and no registration is required.

Backyard Story Time at the RMG is hosted by, and offered in partnership with, Oshawa Public Libraries.

Backyard Story Time at the RMG

Experience the magic of outdoor story time at the art gallery! Through books, songs, games, and creative activities, storytellers from Oshawa Public Libraries will spark your imagination in The Backyard at the RMG!

This event is free and no registration is required.

Backyard Story Time at the RMG is hosted by, and offered in partnership with, Oshawa Public Libraries.

Oscar Cahén: Young in Canada

Join us to learn about Oscar Cahén’s early career in Canada as an illustrator. Guest lecturer Jaleen Grove is a Canadian artist and art historian whose research focuses on the history of illustration in the United States and Canada, illustration research, and periodical studies. She has conducted extensive research on Canadian illustrators and magazines, including authoring the book Oscar Cahén: Life and Work, published by Art Canada Institute in 2015, and two chapters in the major 2017 monograph on Cahén.

Grove will share insights from her ongoing research, offering deeper context for the exhibition Stories in Ink: Illustrations by Oscar Cahén.

Registration encouraged.

Answering the Call: First Responders in Historic Oshawa

In 2020, at the height of the global pandemic, communities came together to show support for first responders and health care workers. Painted rocks, handmade signs in windows, and messages posted on fences became visible expressions of gratitude and solidarity for those working on the front lines. Even without fanfare, frontline workers continue to show up every day, as those in their professions have long done before them.

Drawn from the Thomas Bouckley Collection, this exhibition looks back at the first responders and health care workers who have served the Oshawa community across generations. Images of firefighters, nurses, doctors, ambulances, and more recent social services trace a history of care, protection, and public service in the city. While these photographs do not depict the everyday heroes of today, they remind us that the dedication and service of those who came before continue to shape and sustain our community.

Stories in Ink: Illustrations by Oscar Cahén

Stories in Ink: Illustrations by Oscar Cahén

Before joining the abstract artist collective Painters Eleven in 1953, Oscar Cahén had built a successful career as a publishing illustrator. Between 1950 and 1957, he produced more than three hundred illustrations for Canadian magazines while also gaining recognition for his abstract expressionist paintings. This exhibition presents rarely seen illustrations from the gallery’s Permanent Collection, revealing Cahén’s ability to craft vivid scenes that capture humour, empathy, and the complexities of human experience.

Most of the drawings in this exhibition are drafts created for the educational textbook Creative Living, published in 1954 by W.J. Gage and Company Limited for Ottawa’s High School of Commerce. The nearly 600-page book brings together stories, poems, and essays that reflect on themes such as individuality, love, gratitude, and human dignity. To illustrate these texts, Cahén carefully interpreted each story’s emotional and moral core, translating it into expressive images.

Even without their accompanying texts, these works demonstrate Cahén’s keen skills of observation, expressive line work, and his ability to bring stories to life through ink. Designed to engage young business students with thought-provoking, morally inflected stories, the drawings also offer insight into why Cahén became one of Canada’s most sought-after illustrators of the 1950s.

Zoe Ann Cardinal Cire: In Plains Air

In Plains Air marks Zoe Ann Cardinal Cire’s first museum solo exhibition in Canada, presenting new work shaped by her time on her ancestral territories in Treaty 6. In the bush, the boundaries between inside and outside fall away—the land is home, shelter, and teacher. Cire turns to this context to rethink Western plein-air painting, reframing it through Cree worldviews in which living, making, and being on the land are inseparable.

For this exhibition, she transforms painting into a deeply material and relational practice. A central sculptural installation—an expansive trapline house wall built from painted, unstretched canvas—evokes both the stability of a family home and the openness of life lived with the land. Surrounding works use earth pigments, folded and stitched canvas, beaded lines, and provisional wooden structures to explore how stories seep into materials rather than sit on their surfaces.

By drawing on Cree linguistic structures, ancestral knowledge, and memories of trapline life, Cardinal Cire resists colonial binaries that divide indoor from outdoor, art from living, and abstraction from the embodied. Unfolding as a constellation of materials and gestures, the exhibition loosens painting from fixed categories and signifiers, allowing the work to both carry and transform knowledge.  

Zoe Ann Cardinal Cire is a visual artist born and raised on Treaty 6 territory of central Alberta. Cire’s work talks with the culture that raised her: her kokom’s lineage of Beaver Lake Cree Nation and her moshom’s Métis lineage. These conversations oscillate between the terrains of paint, beads and textiles, focusing on place and enlivening material associations. Here, relations speak about language and memory, where it can be found, and what it says when it reaches.

Cire completed a Bachelor of Visual Arts with a minor in Curatorial Studies from Emily Carr University. Cire graduated in 2024 from Yale University with a MFA in Painting and Printmaking where she won the Blair Dickinson Memorial Prize. Her works have been included in exhibitions at Fazakas (Vancouver) the Native American Cultural Center (New Haven), Art Toronto, Bradley Ertaskiran (Montreal), Burnaby Art Gallery (Burnaby), Seymour Art Gallery (North Vancouver), HOEA Gallery (Gisborne, NZ), David Castillo (Miami) and Franz Kaka (Toronto).