Autism Home Base: Meet Me At The Hub

Created by members of Autism Home Base (AHB), this exhibition brings together a selection of work centered on the theme of connection through shared interests and experiences. ABH is a social network for adults on the autism spectrum, which aims to empower adults with autism and their families to lead rich, active lives, and is committed to providing support and inclusion across the autism spectrum. The self-expression and generous reflection of identity in this exhibition demonstrate the pride and complexity of lived autism experiences. Each work is an opportunity to connect and to build understanding across difference. Taken together, the works illustrate the diversity and beauty of the neurodivergent perspectives that enrich our communities. The exhibition says: what makes us unique also unites us. While stereotypes divide, genuine connection brings us together.

AHB Member Hannah Warner was invited to contribute to this introduction. What follows is her reflection on the project:

ā€œThe AHB Hub is a non-judgmental space which facilitates opportunities for discovery, socialization, and recreation, all within a safe and structured environment. This is important because many of us on the spectrum struggle with initiating our own opportunities and/or relationships. At the hub, shared experiences become a foundation for inclusiveness and compassionate expectations. It is a refuge where we can be ourselves without constant reminders that we are different.

Autism is complicated. Every one of us experiences autism differently, but the way others treat us because of it is pretty common. I have felt overwhelmed and isolated in the neurotypical world. However, I still wouldnā€™t want to be ā€˜normal.ā€™ Instead, I cherish the beauty and inspiration my autistic brain finds in the world and its ability to recognize the things I am passionate about. Sadly, our interests are often used to alienate us. When it comes to autism, many people see us only as a caricature, assuming our special interests are the only thing there is to know about us. They read our enthusiasm and eagerness to share information as something to avoid. Misrepresenting the experiences that we live for as eccentric obsessions is a stereotype that undermines a great potential for recognizing that humanity is complicated and that there are more similarities than differences between us.

Each member of AHB is multifaceted and multidimensional. Like anyone else, we have interests and hobbies, hopes and fears. Our hearts are just as big as our brains and worth getting to know. Our feelings are visceral and sometimes insuppressible, similar
to your own. Look carefully and I am sure you will find yourself reflected in some way. So please enjoy this exhibit. Find out a little about a stranger; discover a little about yourself.ā€

– Hannah Warner, Member of Autism Home Base

Thank you to all of the AHB members who took part in this exhibition and shared their stories. Our gratitude also goes out to Hailey Yates (art instructor), Rachel Major (program support), and Tristin Haines (blueburnmedia.ca) who edited the art-making video.

Virtual Tour

Terra Economicus

Will Kwanā€™s research-driven artistic practice maps complex cultural and economic relations to reveal how power is consolidated and how legacies of colonialism persist in the present. In Terra Economicus, Kwan pulls together a constellation of works created over the last decade that explore conceptions of landscape as expressions of privatization, commodification, and segregation.

The central work, Terra Economicus (Superior) samples from the palette of Lawren Harrisā€™ iconic painting Lake Superior (1926), and links the northern Ontario landscapes captured by the Group of Seven with found video footage taken from online real estate listings in the same regions of the province. These clips, shot by drone, alternate between soaring views of the properties and floating interior shots of the luxury summer homes built on them. Although the area is densely populated with cottages, the footage had been carefully shot to create an illusion of solitude and exclusivity.

This impulse to frame and privatize land is also referenced in the title Terra Economicus.  A reworking of the Latin terra nullius, which means ā€œno oneā€™s landā€, the term was used as a legal construct in the colonization of North America and Australia to justify claims to new territory. This deliberate negation of Indigenous people and history supported waves of settler colonialism in Canada. The empty landscape paintings of the Group of Seven further helped to forge a fictitious national identity that celebrated the land as open for ownership and extraction. Each work in this exhibition unpacks a different way that an economic belief system or cultural narrative is imposed on the natural world as a frame for exploitation and dispossession.

Will Kwan is a Hong Kong-born, Toronto-based Canadian artist. His work is held in the permanent collections of M+ (Hong Kong), Folkestone Artworks (Kent), and Hart House at the University of Toronto. Kwan has been artist-in-residence at the Centre for Chinese Contemporary Art (Manchester), the Headlands Center for the Arts (Sausalito), the Irish Museum of Modern Art (Dublin) and the Art Gallery of Ontario (Toronto). He has participated in exhibitions at MoMA PS1 (New York), ZKM Center for Art and Media (Karlsruhe), CAC Vilnius (Lithuania), the MAC VAL (Vitry-sur-Seine), the Art Museum at UofT (Toronto), the Art Gallery of Ontario, The Western Front (Vancouver), and in biennials/triennials in Liverpool, Folkestone, Montreal, and Venice. Kwan is an Associate Professor in Studio Art in the department of Arts, Culture and Media, University of Toronto Scarborough, and the Masters of Visual Studies Program at the John H. Daniels Faculty of Architecture, Landscape, and Design, University of Toronto St. George.

Exhibition Publication

View a digital copy of the publication for this exhibition here.

Artist Talk + Q&A

Exhibition Tour with Will Kwan


Will Kwan: Terra Economicus

The artist gratefully acknowledges support from the Department of Arts, Culture and Media, University of Toronto Scarborough for this exhibition.

This exhibition is supported by the TD Ready Commitment.

Oshawa’s Jewel by the Lake

Ā Since the late 19th Century, Oshawaā€™s shores along Lake Ontario, that currently make up Lakeview Park, have been a popular summer destination. This year marks the 100th anniversary of Lakeview Park. Presented in partnership with the Oshawa Museum, this exhibition features historical photographs from the Thomas Bouckley Collection, looking back at the parkā€™s rich history. Presented in tandem with the Oshawa Museumā€™s online exhibition Lakeview Park Oshawa, together these shows capture many important milestones of the last century in the park: www.lakeviewparkoshawa.wordpress.com

Part of the traditional hunting grounds of the Mississaugas of Scugog Island, the land in this area was divided after the arrival of European and American settlers in the late 1790s. In 1840, the first efforts were made to develop the Oshawa Harbour with the construction of the pier and breakwaters by the Sydenham Harbour Company.Ā  The opening of the Harbour brought further settlement along the lake, including the construction of the homes that comprise the current Oshawa Museum.

As early as 1890, the area by the lake, referred to more generally as ā€œOshawa-on-the-Lake,ā€ was used for summer recreation. In the summer, the Oshawa Railway ran an open aired streetcar from downtown to the lake, that transported beachgoers with 11 trips per day for a fare of 5 cents. In 1920, the McLaughlin family purchased the 44 acres of lakefront property in the name of General Motors of Canada. On July 16, 1920, General Motors then sold the land to the Town of Oshawa for $1, contingent that the land become a public park. While the area along the lakeshore had long been used as a park, this gift made the area public parkland and accessible to all. The name, Lakeview Park, was selected from approximately 240 submitted names and officially opened in late September. The occasion was presided over by Mayor Stacey and was marked with live music and free transportation to the park from the Oshawa Railway.

Lakeview Park has been enjoyed by citizens of Oshawa and beyond for over a century, and as we look back at its history to celebrate its 100th birthday, we are reminded of summer days gone by, cold wintry winds off the lake, and are filled with excitement for the future of this waterfront park.

Aberrations

Aberrations is the first major exhibition at the RMG dedicated to the wonderful range of photo-based work in the collection. Like many public galleries our size, our photo collections have not been given the same attention as other media, and the collecting histories have been relatively short.Ā  This exhibition explores our rich holdings through four frameworks: strange secrecy, trick mirror, shifting ground, and ordering the world. These propositions act as guideposts to view the works in new ways, inviting new connections and ways of understanding.Ā  The selected photographs represent vastly different time periods and locations, as well as wide ranges of scale, colour, and material.

With the prevalence of photography in everyday life, photographs have a unique ability to shape the way we see and understand the world. The term aberration means something different from the norm. We invite you to lean in to these differences, relish in the juxtapositions, and bring fresh eyes to these incredible works.

Virtual Tour

Aberrations

Photos by Toni Hafkenscheid

Journeys

On now until September 25, 2022.

In countless literary epic journeys, the hero(ine) encounters trials and adventures along their path, which ultimately lead to personal growth and transformation. While these mythic stories are fictional, they can reflect our common experiences. Over the course of our lives we too embark on both physical and emotional journeys that lead to new perspectives. Drawing together works to explore how the journey can often be more important than the destination, this Permanent Collection exhibition is divided into four sections: Going Places, Movement of Goods, Wandering Artists, and Spiritual Explorations.

Our Permanent Collection holds over 4,700 artworks and is continuously evolving through both the exploration of fresh narratives as well as the acquisition of new artwork. As the world experiences restrictions on physical travelling, we invite you to let the collection take you to new places and consider the journey we are all on together.

Experience an exciting NEW 360 tour of Journeys here

Journeys

The Perfect Day by Sophie Sabet

The Perfect Day is an exhibition of new video and sculpture work by emerging artist Sophie Sabet, produced during her residency in the Artist Incubator Lab. Sabet is a filmmaker who mines personal relationships and found footage from her past to explore processes of migration and creation, body politics, and the myriad ways we reveal and conceal ourselves in the world. For this new work, she blends home-video footage from her childhood with intimate present-day footage in a single-channel video. The work touches on her motherā€™s own practice as an artist and accesses images that reveal how bodies, spaces, and objects can act as vessels for memories, emotions, and trauma. A series of cast plaster sculptures are presented alongside the video. Created through a process of filling and extracting, they become material representations of this inner weight.

Sophie Sabet is a Toronto-based visual artist working predominantly in video. Her practice is often autobiographical and intimately traces the complexities and fluidity of the domestic sphere. She is interested in different forms of communication, creating space for empathy and the process of working through heterogeneous cultural and personal perspectives. She holds a BA in Art History from Queenā€™s University, and a MFA in Documentary Media Studies at Ryerson University in Toronto, Canada. Sabet has exhibited solo exhibitions at the Student Gallery at the Ryerson Image Centre (Toronto) in 2016 and Flux Gallery (Winnipeg) in 2017. She has participated in several artist residencies including the Banff Centre for Arts and Creativity in 2017 and the Vermont Studio Centre in 2018. Sabet recently completed a solo show at the Mississauga Museums for CONTACTā€™s 2019 photography festival (Toronto) where she received the Gattuso prize for an outstanding Featured Exhibition.

This exhibition is supported by the RBC Foundation and the RBC Emerging Artist Project.

Painters Eleven

The RMGā€™s collection of works by Painters Eleven has grown to over 1000 works. The galleryā€™s first mandate emphasized collecting and exhibiting the work of the group, and we remain committed to this by showing works by members of Painters Eleven at all times. Each exhibition often brings together different works along a common theme. The current exhibition focuses on works that depict organic forms or include representations of nature.

Psychedelic Oshawa

Psychedelic Oshawa recovers and reimagines a formative period in the cityā€™s cultural awakening during the turbulent years of the 1960s and early 1970s. Contemporary artists from Durham Region and beyond were invited by guest curator Gary Genosko to use historical artefacts as springboards to create new works that bring past events and imagery into focus. These new works are paired with historical reference materials, including photographs, paper ephemera, and obsolete media such as 8-track tapes. Made with hand-knit wool, digital colour illustration, felt, screen printing, paint, yarn, and beeswax, these diverse works pay tribute to a poorly documented era, celebrating its strengths and underappreciated accomplishments.

Gary Genosko is an independent curator and professor at Ontario Tech University in Oshawa.

Participating Artists:

Alison Ariss, textile art historian and knitter

Monique Brent, portraitist and mural painter

Bob Bryden, musician and writer

Betty Carpick, community arts organizer and designer

Scott Cisco, amateur photographer

Desmond Clancy, pen and ink illustrator

Dani Crosby, illustrator and fine arts educator

Gary Gatti, painter and graphic designer

Gary Genosko, independent curator and professor

Hannah Genosko, printmaker and book artist

Len de Graaf, yarn painter and fibre educator

Doug Lewis, curator, videographer, arts educator

Nicole Marhong, painter and sculptor

Christof Migone, curator and sound artist

Martnya Pekala, student of painting

Kai Pinkerton, graphic designer

Thank you to Erin MacKeen, graphic designer and painter, for creating the exhibition logo.

Lithic Innards

Opening Reception: Friday, January 3, 2020, 7PM -10PM | Artist Talk: Friday, January 3, 2020 8:30PM

Lithic Innards is an exhibition of new work by Toronto-based artist Ellen Bleiwas. The installationā€™s assembly of unfired clay figures prod at conscious and unconscious knowledge, prompting an experience that is something like recognition, a form of looking that is both familiar and new all at once. The individual works are formed from molded masses or coils of clay, rolled and stretched long into slippery ropes. These soft, pliable coils are wound around and around to form towers that are pinched and smoothed, creating space and texture inside and out. The arrangement of these forms activates circular movement, which direct the viewer to move around the works in a circle, reinforcing the artistā€™s interest in repetition, reflection, and looking in. Holding space, the installation also produces a feeling of grounded monumentality characteristic of architectural forms and primordial rock. Inviting you into this space and into yourself, Bleiwas asks: do you know this place?

Ellen Bleiwas is an emerging visual artist based in Toronto. She has recently exhibited at Idea Exchange (Cambridge), Angell Gallery (Toronto), and Art Mƻr (Montreal). Bleiwas holds a MFA from York University (2017) and a Master of Architecture from McGill University (2010). She has participated in artist residencies including Takt Kunstprojektraum (Berlin), Artscape Gibraltar Point (Toronto), and the School of Visual Arts (New York). Her practice has been supported through grants and awards from the Toronto Arts Council, the Social Sciences and Humanities Research Council of Canada, 401 Richmond through the 2017-18 Career Launcher Prize, and here at The Robert McLaughlin Gallery through the RBC Emerging Artist Residency Program. Immediately following her tenure at the RMG, Bleiwas is attending an artist residency at the NARS Foundation in New York, supported by the Canada Council for the Arts.

This exhibition is supported by the RBC Foundation and the RBC Emerging Artist Project

The Joy of Living

Born in 1928 in Drummondville, Quebec to Abenaki and Quebecois parents, Rita Letendre moved with her family to MontrĆ©al in 1941. After attending Montrealā€™s Ɖcole des Beaux-Arts in 1948, she left the following year finding the schoolā€™s teaching style too conservative. ā€œTo make a painting showing a little house on a street, that doesnā€™t show lifeā€ she said, ā€œI wanted to show the joy of life, its difficulties, its power.ā€ Abstraction allowed her to do just that, and soon she caught the attention of the artist Paul-Ɖmile Borduas, a founder of the Automatiste group. She blossomed from there and soon found her own direction.

Letendre describes her long career as a continual progression, claiming, ā€œin my case, one tiny step leads to another.ā€ Works in this exhibition, from the RMGā€™s Permanent Collection, capture Letendreā€™s ever-evolving style of abstraction. It includes paintings from her abstract expressionist beginnings, her crisp hard-edged abstractions, as well as the vibrant and dynamic gestural works from her most recent series.


The Joy of Living

Photos by Toni Hafkenscheid