The RMG’s emerging artists in residence are encouraged to create new work, experiment with bold ideas, and make meaningful connections with our visitors and community. At the end of their 15-week residency, the artwork they produce is exhibited in a solo exhibition. You can explore all of our former artists in residence at the bottom of this page.
Current Artist in Residence
Residency Dates: November 7, 2022 – February 19, 2023
Exhibition: February 25 – April 9, 2023
Meet the artist in her RMG Blog post and tune in to our Instagram account on Tuesday, November 22, 2022 for her Welcome to the Studio Artist Talk and on Tuesday, January 24, 2023 for a Residency Check-in. Both virtual studio visits will be at 12:00pm ET @rmgoshawa.
You can also drop in to say hi in person! If you want to confirm that Brigitte is in the studio the day of your visit, please call 905-576-3000 or email [email protected].
In search of a distinct suburban vernacular, Brigitte Sampogna’s residency will reflect on the domestic environments of her childhood and the temporary, cyclical nature of life. During her time at the RMG, she will experiment with different materials and processes to locate a sense of this place, turning to visceral experiences like adolescent longing, accidental intimacy, and nostalgia to ask, what does suburbia feel like? Brigitte’s new installation work will gather fragments from her surroundings to consider how memories and intuition could lend a more emotive framework to an understanding of suburban geography.
Brigitte Sampogna is an interdisciplinary artist who primarily works with video and photo. She is currently expanding on installation and sculpture techniques. Through found material collection and needlecraft, she engages with domesticity, sentimentality, and accumulation. She currently resides in Whitby/Oshawa. Brigitte recently completed her BFA in Integrated Media at OCAD University. Her work is showing at Visual Arts Centre of Clarington and a forthcoming group exhibition, Alone Together, at Ignite Gallery.
The Annual Call for Submissions
Applications for 2023/2024 are now closed.
The RBC Emerging Artist Residency is designed for ambitious and experimental artists with the desire and ability to use our studio facilities and who are within commuting distance of the gallery. We strongly encourage artists who have lived or currently reside in Durham Region to apply.
Applicants should be able to commit 2 days/week to onsite work.
The RMG defines emerging artist as a developing, early-career artist who has produced a small body of work and achieved some recognition and/or public exhibition experience. You are eligible for this program if you meet that definition, your artistic practice is the primary goal for your long-term career, and you intend to use the residency to develop your artistic career.
15 weeks in the residency studio followed by an eight-week exhibition.
Professional support and consultation from RMG staff in the development and installation of your exhibition.
Promotion of your work through our communication channels.
Opportunities to develop your professional practice through workshops, meetings with our curatorial staff, and the creation of public programming.
2023 Residency Slots
Residency A (Spring/Summer)
Residency Dates: February 27 – June 11, 2023 (Spring)
Exhibition Dates: June 17 – August 13, 2023 (Summer)
Residency B (Summer/Fall)
Residency Dates: June 19 – October 1, 2023 (Summer)
Exhibition Dates: October 7 – December 3, 2023 (Fall)
Residency C (Winter/Spring)
Residency Dates: October 23 – December 17, 2023 and January 2 – February 18, 2024 (Winter)
Exhibition Dates: February 24 – April 21, 2024 (Spring)
The gallery will pay a residency fee of $2500 to support production, materials, travel, and installation costs, as well as a $3700 artist exhibition fee. An additional fee will be paid to the artist should they choose to deliver a public programming event such as a talk or workshop during their exhibition.
How to Apply
We are now accepting applications for the 2023 RBC Emerging Artist Residency program. All applications are due by Wednesday, September 14, 2022, 11:59 PM.
You will have to upload an application package in one document, saved as a PDF with the file name Your Name_Application 2023.pdf. Your PDF cannot exceed 6 MB.
Please include the following in your application package, in this order:
- A short bio (maximum 150 words) that highlights your education and accomplishments as a professional artist.
- An artist statement (maximum 150 words) that, in concise and specific language, summarizes your artistic practice and point of view.
- Examples of your work (with captions, including title, date, dimensions, and medium) that support your goals and the direction you intend to take during the residency.
- You can include links to videos on your website, Vimeo, or YouTube.
- Maximum 10 images and/or videos total.
- A project proposal (maximum 300 words) expressing what your artistic practice could gain from a residency at the RMG, clearly outlining your project, objectives, and desired outcomes for the duration of the residency. If you plan to involve any other groups or people in your work or project, please indicate that here.
- Your residency will be supported by an experienced staff of curators, educators, and administrators. Please provide a statement expressing how you would take advantage of professional development opportunities at the RMG, learning from and participating in our culture of collaboration and cross-departmental engagement (maximum 150 words).
- Your Artist CV (Maximum 3 pages)
- If you have an artist website or social accounts, please include the relevant links in your CV.
If you have questions about this opportunity, please contact Hannah Keating at [email protected] or call 905-576-3000 ext. 102.
The Robert McLaughlin Gallery is committed to equal opportunity for all applicants. We encourage applications from members of visible and invisible minority groups, women, Indigenous persons, persons with disabilities, and persons across the spectrums of sexual orientation and gender identities. If there are ways we can remove barriers to the application process, please let us know and we will work with you to meet your needs.
The RBC Emerging Artists in Residence have access to innovative studio and exhibition spaces at the RMG.
The RBC Emerging Artist Residency Program supports growth and experimentation in emerging artistic practices and offers robust professional development opportunities through workshops, studio visits, and talks. The RBC Emerging Artist Residency nurtures connection and creativity in Durham Region and beyond.
Former Artists in Residence
Jordan Elliot Prosser
Residency Dates: May 24 – August 15, 2022
Exhibition: October 1 – November 13, 2022
Meet the artist in his RMG Blog post.
During his residency, Jordan will investigate a local icon of Oshawa: the famous racehorse Northern Dancer and his home at Windfields Farm. This project will continue a series of documentary video and sculpture works (Assembly, 2021 and Familiar, 2020) that map the precarious nature of Oshawa’s post-industrial life. As he continues to ponder the possibilities and impossibilities of a coherent sense of self, Jordan will apply his ongoing auto-ethnographic and documentary approach to his hometown of Oshawa in this new video and sculpture work.
Jordan Elliott Prosser is a multi-media installation artist interested in the architecture of subjective experience. His works result from a practice that holds onto things for too long: accumulating archives of documentary material and then negotiating their jagged inconsistencies into uncanny assemblages. He received a Master of Visual Studies from the University of Toronto, a Bachelor of Architectural Studies with Distinction from the University of Waterloo, and studied Literary, Musical, & Visual Thought at the European Graduate School. His work has been shown at the Art Museum at the University of Toronto, Hearth Garage, and Crutch CAC. As a producer Jordan has facilitated projects with internationally renowned artists and institutions including: The Vitra Design Museum, MAK Vienna, and The Venice Biennale among many others.
Residency Dates: January 3 – March 27, 2022
Malik’s exhibition, Code Switch, will be open from June 18 – July 31, 2022.
Meet the artist in his RMG Blog post.
We are thrilled to host Malik McKoy in the RBC Artist Incubator Lab this winter. Following over a year of exciting developments in his digital art practice, Malik is diving back into analog processes in a project that integrates digitally produced visuals with medium to large-scale paintings. Feeding one practice into the other, Malik will use computer modelling to create source material for his paintings, which will in turn be animated in his exhibition with augmented reality.
Artist Bio: Malik McKoy is a multimedia artist based in Ajax, Ontario. In a practice that spans analog and digital mediums, McKoy creates vibrant visual worlds that reflect the banality of his environment translated through a playful lens. He is a recent graduate of OCAD University’s Drawing and Painting program and the Game Art and Animation program at Seneca College. Recently, McKoy’s work was featured in the 17th edition of MOMENTA in Montreal and in public screenings as part of Artworx TO with InterAccess and Toronto Animated Image Society. An additional feature in ArtworxTO through What We Like’s Project Reframed is on the way. McKoy will also have work in the upcoming group exhibition Lose Your Illusion at Ignite Gallery.
Residency Dates: September 13 – December 5, 2021
Exhibition Dates: December 11, 2021 – January 30, 2022
This residency will take place onsite in the artist incubator lab and offsite with virtual engagement.
Meet the artist! Read Laura’s Blog post here.
We are so happy to welcome Laura Grier to the RMG as our fall 2021 RBC Emerging Artist in Residence. During their residency, Laura will be working on a research-based printmaking series that draws on their Sahtú Dene language and aims to nurture the space between the artist, their materials, and their surroundings. Laura has named the project Ǝrįhtł’é k’éíhtsi: K’enda, which was formed, as many Sahtú Dene words are, by using and reimagining known words to form new meanings. Using a handful of language resources currently available to them, Ǝrįhtł’é k’éíhtsi: K’enda is the term Laura has constructed to refer to the medium of printmaking. Along with their efforts to imagine words, Laura will use TseYǝ́dı́ı [wood] to create large-scale prints that gather marks and form patterns from urban objects. These works will continue Laura’s ongoing contemplations of urban Indigeneity and re-connectivity through land and language.
Artist Bio: Laura Grier is a Délı̨nę First Nations artist and printmaker, born in Somba ké (Yellowknife), and raised in Alberta. Through the use of traditional print mediums, they instrumentalize the power of the handmade to reflect political sociology, culture, ecology, and Indigeneity. Responding to lived experiences of urban displacement as a Dene woman through print, Laura’s work is also inspired by the dynamism of Indigenous art practices and uses printmaking as a tool for resistance, refusal, and inherent Bets’ı̨nę́. They hold a BFA from NSCADU (K’jipuktuk) and an MFA from OCAD University (Tkaronto). They have exhibited at Xpace Cultural Centre, Harcourt House, DC3 Art Projects, SNAP Gallery, and ArtsPlace. Laura has received grants and awards for their work, including the Indigenous project grants from the Alberta Foundation for the Arts, Toronto Arts Council, Canada Council for the Arts, and was the 2018 RISE Emerging Artist recipient. They currently reside in Tkaronto.
There are lots of opportunities to connect with Laura virtually:
Join them on Instagram Live on October 16 at 2pm for a Welcome to the Studio Artist Talk and on November 23 at 7pm for a Residency Check-in. Follow Laura and the RMG to catch these fun, casual visits with the artist.
Due to the gallery’s current closure, Laura’s printmaking workshop will be postponed. Stay tuned for more information and to register!
Residency Dates: April 19 – July 11, 2021
Exhibition: October 30 – December 5, 2021
You can also chat with Florence directly during their virtual open studio sessions (read more below).
We are excited to welcome Florence Yee to the RMG for our spring/summer 2021 RBC Emerging Artist Residency. During their residency, Florence will build on an ongoing series of textile works, which problematize familiar forms of memorialization—such as photos, monuments, and archives—to critique, destabilize, and deromanticize linear narratives of diaspora, assimilation, and the self. Broadly, their practice is concerned with the self-defeating notion of belonging among queer and racialized communities, particularly how it is sought through labour, language, duty, and family. In these new works, Florence will consider how efforts to commemorate can fail and imagine new methods for queering memory that can be intimate, vulnerable, and ephemeral.
Artist Bio: Florence Yee is a visual artist and recovering workaholic based in Tkaronto/Toronto and Tiohtià:ke/Montreal. Their practice uses text-based art, sculpture, and textile installation through the intimacy of doubt. Their work has been exhibited at the Museum of Contemporary Art (2021), the Art Gallery of Ontario (2020), the Textile Museum of Canada (2020), and the Gardiner Museum (2019), among others. Along with Arezu Salamzadeh, they have co-founded the Chinatown Biennial in 2020. They obtained a BFA from Concordia University and an MFA from OCAD U.
This residency will be taking place virtually until further notice. We look forward to sharing Joy’s work with you digitally until it is safe to reopen the gallery.
Residency Dates: January 4 – March 28, 2021
We are thrilled to welcome Joy Wong to The RMG for our winter 2021 RBC Emerging Artist Residency. Wong’s art practice is concerned with surfaces and the relationships that develop between interior and exterior worlds. She is particularly interested in bodily experiences, including how insides and outsides stretch, spread, and seep across borders, both literally and metaphorically. In her painting practice, this has manifested in works on the cusp of decline and renewal. Using materials such as rubber latex, copper, and sea salt, Wong’s unconventional paintings court the grotesque with their fleshy colours and deteriorating forms. During her residency in the RBC Artist Incubator Lab, Wong will continue her artistic research and ongoing experiments with kombucha starter to create a new body of work dedicated to fermentation.
Artist Bio: Joy Wong (she/they) is an interdisciplinary artist based in Tkaronto, with Cantonese immigrant settler ancestry. She works in painting, print media, poetry, and sculpture. Their practice focuses on the intersections of disgust and beauty, decay and decadence, and connects material investigations with the shifting physicality of a queer and racialized body. She obtained her BFA from York University with a double major in Visual Arts and Creative Writing and her MFA from Western University where she received a SSHRC grant for her research. Wong was a finalist for the 2018 RBC Canadian Painting Competition and was the 2019 Pope Artist in Residence at NSCAD.
Residency Dates: September 8 – December 13, 2020
Exhibition: Can I play outside? December 18, 2020 – July 18, 2021
We are excited to introduce the RMG’s fall RBC Emerging Artist in Residence: Jaspal Birdi. Jaspal will be working in the Artist Incubator Lab until December 13, 2020 on a project called, Can I play outside? Fusing photography and painting in large-scale works, the artist will draw on her own memories and experiences to create new paintings of suburban environments. The work will be exhibited in Gallery A at the end of her residency. The exhibition will invite viewers to contribute overlapping stories and novel interactions with the artist’s imagined worlds, encouraging community collaboration, integration, and sustainability.
Artist Bio: Jaspal Birdi is a Canadian artist who combines photography and painting by experimenting with contemporary technologies. Born in Toronto, Canada 1988, Birdi completed her BFA in drawing and painting from OCAD University 2010, a Masters in Arts Management from Istituto Europeo di Design 2013, and a Specialization in Curating Contemporary Art from Venice School of Curatorial Studies 2016. She is the recipient of the Arte Laguna Solo Exhibition Prize in 2013, as well as the 2017/18 Fondazione Bevilacqua La Masa Artist Residency Fellowship, during which she also received the BLM Stonefly Art Award. In 2017 Birdi co-curated the exhibition “Command-Alternative-Escape” for the opening week of the Venice International Art Biennale. During the 2018 Berlin Art Week, her works were presented in “Transferred Recall,” a curated solo exhibition. Currently, Birdi is a 2020 Visual Arts Fellow for the Fondazione Culturale SanFedele Art Prize.
Residency Dates: December 16, 2019 to March 22, 2020
Exhibition: August 1 – September 24, 2020
We are excited to welcome Sophie Sabet to the RBC Artist Incubator Lab as the fourth Emerging Artist in Residence, supported by the RBC Foundation. During her residency, Sabet will be developing a multi-media installation that draws on found home-video footage from her family’s home in Iran, before they immigrated to Canada. The installation will investigate social and political themes related to family, geography, and representation.
Artist Bio: Sophie Sabet is a Toronto-based visual artist working predominantly in video. Her practice is often autobiographical and intimately traces the complexities and fluidity of the domestic sphere. She is interested in different forms of communication, creating space for empathy and the process of working through heterogeneous cultural and personal perspectives. She holds a BA in Art History from Queen’s University, and a MFA in Documentary Media Studies at Ryerson University in Toronto, Canada. Sabet has exhibited solo exhibitions at the Student Gallery at the Ryerson Image Centre (Toronto) in 2016 and Flux Gallery (Winnipeg) in 2017. She has participated in several artist residencies including the Banff Centre for Arts and Creativity in 2017 and the Vermont Studio Centre in 2018. Sabet recently completed a solo show at the Mississauga Museums for CONTACT’s 2019 photography festival (Toronto) where she received the Gattuso prize for an outstanding Featured Exhibition.
Residency Dates: September 23 to December 15, 2019
Exhibition: Lithic Innards, January 3 to February 2, 2020
Reception + Artist Talk: Friday, January 3, 2019 | 7PM – 10PM
During her residency in the Artist Incubator Lab, Bleiwas will be creating a new body of sculptural work that explores the nature of ritual and cycles, including seasonal cycles, economic cycles, and political cycles. In particular,the artist will consider the vulnerability of these cycles, to aging and change over time, through her use of materials.
Artist Bio: Ellen Bleiwas is an emerging visual artist currently based in Toronto. She has recently exhibited at Idea Exchange (Cambridge), Angell Gallery (Toronto), and Art Mûr (Montreal). Bleiwas holds an MFA from York University (2017) and a Master of Architecture from McGill University (2010). She has done artist residences in Berlin, Toronto, and New York. Her practice has been supported through grants and awards from the Toronto Arts Council, the Social Sciences and Humanities Research Council of Canada (SSHRC), and 401 Richmond, through the 2017-18 Career Launcher Prize.
Residency Dates: July 2 – September 22, 2019
Exhibition: Wild Braid, September 24 – October 20, 2019
Reception + Artist Talk: October 4, 2019 | 7PM – 10PM
During his time in the Artist Incubator Lab, Brian will be developing a new body of work inspired by his familial history and recent experiments with new mediums and abstraction. This new work will draw on the shapes, colours, and forms of traditional quilt patterns, Brian’s existing printmaking practice, and lived experience in some of Ontario’s natural landscapes, allowing him to react to nature in new and exciting ways.
Artist Bio: Brian Hoad is a visual artist from Port Hope, ON. He received his Bachelor of Fine Art Honours, Visual Art in 2015 from Queen’s University and Master of Fine Art, Visual Art in 2017 from the University of Regina. He maintains a studio practice at Dead On Collective in Kingston, ON, where he works as the Technician Supervisor for the Fine Art (Visual Art) Program at Queen’s University. Prior to attending university, Hoad served as a full-time studio assistant to Canadian Artist David Blackwood while receiving instruction in traditional oil painting methods, copper etching, and woodcut. His practice-based research has been supported by the Social Sciences and Humanities Research Council and The Elizabeth Greenshields Foundation.
Alex R.M. Thompson
Residency Dates: April 1 – June 23, 2019
Exhibition: Civic Study (interim), July 7 – 28, 2019
Reception + Artist Talk: July 27, 2019 | 2PM – 4PM | Artist Talk 2:30PM
Alex R.M. Thompson is the first artist in our newly launched RBC Emerging Artist Residency Program. Using the studio space in the Artist Incubator Lab, Alex will be working on two projects over the course of his residency. Advancing a project currently in-progress; Alex will be working on prototypes for an artist’s book. His interest in installation will shape his second project, which will be a collaborative drawing/animation piece. Stop by the Lab to meet Alex and learn more about this work and ongoing practice in installation and print-based mediums.
Artist Bio: Alex R.M. Thompson is a Brantford-born, Toronto-based artist, working with installation and print-based media. He graduated from OCAD University’s Printmaking program in 2013, earning the medal for his year. He has exhibited work at Art Toronto, The Artist Project, Nuit Blanche, Studio Sixty Six (Ottawa), and Timeraiser 150 at the Power Plant. He is an active member at Open Studio in Toronto, where he also acts as a custom printer and teaches etching, and has been an artist-in-residence at Centre and the Banff Centre. His practice investigates the relationship between the urban environment and its occupants, and the architectural representation of meaning.