Gallery A

Things are changing around here.

As some of you may have heard, we’re undergoing renovations right now and one of the biggest changes is the creation of Gallery A.

Aileen’s Legacy

The space is named for one of our major funders, the Aked Endowment, which was created from funds donated by the late artist Elizabeth Aileen Aked, who lived in Tyrone, Ontario. Aileen and her parents frequently traveled between Tyrone, Bermuda, Florida and England and Aileen documented every moment of it. Throughout the spring, I worked with Christine our Special Projects Assistant, to go through Aileen’s archive which totaled over 10 banker boxes filled with a lifetime of slides, photographs and 16mm films. (Aileen’s gift also included her 1928 Kodak Kodascope, which was lovingly restored to full working order by Pickering Audio Visual). The films, which date as far back is the early 1920’s, are probably my favourite – these rich black and white silent films, depict her and her family on long rambling road trips in their classic antique Buick, pet parrot in tow. The films include scenic vistas of Gaspe, a road trip to Banff National Park, road-side picnics and sun-filled summer swims.

During all of these trips, Aileen spent a lot of her time painting, and she was an accomplished painter. As an artist, her donation to The Robert McLaughlin Gallery was quite purposeful – she wanted the endowment to support local artists in their professional development and provide opportunities for them to advance their practice.

A Place for Artists

In addition to being the Manager of Public Programs here at the RMG, I’m also an artist and when I came into this position almost 2 years ago, we started thinking about how best to achieve Aileen’s vision. I know that for myself, professional spaces to exhibit are not easy to come by and are often programmed far in advance. I’m always looking for opportunities (and space!) to experiment with new ideas and work with large materials and I want more opportunities to talk with other artists critically about my work.

After surveying and speaking with local artists, the concept of Gallery A was born. We decided to keep the use of the space flexible, to allow artists options in how they wanted to use it. I am imagining most will want to use it for solo or group exhibitions, but there is room for creativity, and thinking outside of the box. We also set up the Art Lab artist residency program so artists can use the space for experimentation, collaborations, new directions and this will hopefully lead to some new exciting work. Gallery A artists will be invited to give public lectures and tours, and we’ll be hosting a slew of professional development workshops, including grant writing, documenting your work, peer-to-peer feedback sessions and hands-on studio retreats.

The letter A is a starting point. It represents a new beginning, and a priority.

It represents our commitment to supporting local artists, which are at the center of Durham Region’s arts community. It all starts with artists. Gallery A can be a starting place for emerging artists as a new generation emerges from Durham Collage’s Fine Arts program. It can be a place for established artists, to exhibit their work, collaborate with peers, and perhaps even take some risks. And it can be a meeting place for communities to work with artists to engage in the arts in ways they had never imagined before. The possibilities for the space are wide open – all you have to do is get started.

APPLICATION DEADLINE NOVEMBER 15, 2014

Information Sessions:

Thursday 18 September 7pm

Sunday 19 October, 1pm

To find out more and to access the guidelines and application form, please follow this link: https://rmg.on.ca/gallery-a.php

Vol ‘n’ Tell

Vol ‘n’ Tell is an ongoing series of blog posts written by RMG Volunteers. Raechel Bonomo is an Oshawa native, art enthusiast and second-year Print Journalism student at Durham College.

Painters Eleven (P11) began in the fall of 1953 in Oshawa, launching them as Ontario’s first abstract painting group. P11 includes members such as Alexandra Luke, Jock Macdonald and Jack Bush – Luke being the catalyst of the group’s formation. The group held their first exhibit under the name “Painters Eleven” in February 1954 at Roberts Gallery in Toronto, Ontario.

The Robert McLaughlin Gallery has had a long-term relationship with Painters Eleven, which explains why the gallery is the owner of the largest collection of the group’s work. The history of the group is woven into the history of the RMG, creating the symbiotic relationship that is prevalent in work displayed from the gallery’s archives. Oshawa native Alexandra Luke, an advocate for abstract art, brought this style of painting to the city through the South Ontario Art Gallery Circuit. The RMG’s foundation as a gallery began with a focus on collecting, preserving and displaying the group’s work. It is because of Luke’s munificent, extensive donation of the group’s work that allows the RMG to continue its original mandate and introduce new pieces to the public.

In a time where the landscape style of the Group of Seven dominated the Canadian art world, the work from P11 would soon become the new foundation for modern art in Canada. The new installation at the Robert McLaughlin Gallery features work from the collection from every member of the P11 and demonstrates their then breakthrough abstract style, evident in works such as Melville’s Island (1961) from group member Ray Mead.

Ray Mead, Melville’s Island, 1961; oil on canvas; Donated by the Ontario Heritage Foundation, 1988; gift of M. F. Feheley

With each new installation, there is a cohesiveness that is present within the collection despite the differences in technique and imagery from the artists. For example, the imagery of Alexandra Luke’s piece Encounter (1959) contrasts the more heavy appearance of Cloud (1962) by William Ronald.

William Ronald, Cloud, 1962; oil on canvas; Donated by the Ontario Heritage Foundation, 1988, gift of Dr. and Mrs. S. P. Starkman

Alexandra Luke, Encounter, 1959; oil on masonite; Gift of Mr. and Mrs. E. R. S. McLaughlin, 1971

Despite abstract being a lesser of my personal favourites, the work of the P11 evolve the style to encompass traditionalist approaches of painting in their work – creating an appeal to both the classical and modern art enthusiasts.

A new exhibition is installed every eight months and features, fittingly, eleven original paintings from the group that is worth a visit to the Robert McLaughlin Gallery.

Raechel Bonomo

Volunteer Blog Writer

Robert McLaughlin Art Gallery

A Poem by Marlene Laplante

Marlene Laplante visited the RMG with her daughter in early December. She was so inspired by her visit that she wrote a poem about it. Marlene has allowed us to share her writing with you! Enjoy!

in the gallery

they are gone now – their work remains

compelling stories in colour

alive on white walls around me pulling me in

a journey of the human spirit on canvas

each reclaiming a time a place an event

capturing life around them in an intimate way

life spread out in a visual language

revealing despair and hard times

beauty and innocence

overcome by the spiritual strength of their presence

humbled – emotional

I became part of the sadness in their painted eyes

before me – silhouettes in golden light

majestic mountains silent waters

and bright colours splashed about in harmony

inspired by life – motivated by passion

most worked in solitude and silence

in tune with the rhythms of nature

seeing beauty in what surrounded them

they painted the feeling of a place

that which feeds our soul

others dream inspired – created from within

letting the energy in their work speak for itself

their stories had to be told…

I came to listen

in the gallery

The Curator’s View: Louis de Niverville visits the RMG

This blog post comes from the desk of Senior Curator, Linda Jansma.

To say that I was remiss in not taking a notebook and pencil along is an understatement.

Louis de Niverville looking at his work Madame Takes a Bath #1

The artist Louis de Niverville came to visit the RMG a couple of weeks ago with friends. Jason, our Preparator, and I had taken some time in the morning to open the vault racks and pull out solander boxes that housed some of his works on paper in order to make viewing the fourteen works from our collection as easy as possible. Louis was absolutely charming, examining each work like it was a long lost relative—and his memory was remarkable. We stood in front of Mother and Child, a painting of what I’d always thought of as an imposing woman holding a crying baby. I knew the child was a two-month old Louis and knew that he had painted the work from a 1933 photograph. I’d always assumed that the woman was quite stern as she sat so monumentally within the picture frame. Not at all. In fact, Louis’s mother was a gentle woman with many children who constantly worked to keep the family organized. Louis’ reminiscences made me re-think a painting I’ve known for many years.

Louis de Niverville Mother and Child 1970
oil on canvas 183.1 x 91.5 cm Purchase, 1977

Louis recalled the technique he used for his multi-media works and let us know that the beautiful and delicate Untitled print from 1979 was the first print he’d ever produced and how he used a spray gun to develop his technique. There were other notes to add tohis files: Still Life with Abundance #2 was one of four large collage works representing the seasons, and Mother and Child from 1970 was the last oil on canvas painting that he completed; he also gave us more detailed comments on the medium he used forhis collage works. All of this information is not only useful for RMG staff, but also for researchers who come to access our collection.

Louis de Niverville Untitled 1979
lithograph on paper
46.1 x 55.0 cm
Gift of Peter and Susan Swann, 1994

While Louis was incredibly grateful for the tour of his work, in reality, the pleasure was all ours. What a privilege to a have such a respected Canadian artist tour us through our collection of his work!

Louis de Niverville and Senior Curator Linda Jansma examine Sunset Farm #3

The Mother’s Day Gift Guide

This post comes from the desk of Norah O’Donnell, Volunteer Co-ordinator & Gift Shop Operations.

With Mother’s Day just around the corner, we’re setting up for our annual Spring Fling Sale at the RMG Shop on Thursday, 8 May. As head of Gift Shop Operations, I often see guests torn between products, searching for that special gift. For mom, it must be unique, expressing your love and gratitude for everything she has done. At the RMG Shop, there is something to suit everyone’s taste – we carry a wide variety of handmade and locally-sourced products, one of which could be the perfect gift for mom!

This year, let me be your personal shopper – here are my top five choices for that ultimate Mother’s Day gift, straight from the RMG Shop:

Aide Bodycare – the Ultimate Handmade Spa Package

Aide Bodycare offers a variety of handmade soaps, scrubs and lipbalms that are perfect for pampering mom. Soaps are created using the traditional cold-process technique and feature such popular scents as Vintage Rose, Lavender and Organic Oatmeal, and Sweet Orange. What makes them even better? Owner, Michelle Treen, makes all products on location in Bowmanville.

Filipa Pimentel Ceramics – Classic Ceramics

A featured member of Ontario Craft, Filipa Pimentel creates beautiful ceramic pieces that are a mix of functional tableware and decorative art. The RMG Shop features her textured line that includes pitchers, serving bowls and bud vases. Each work is unique and influenced by her love for the ocean. These would be a treat to any mother’s home.

Bella Accessories – The Statement Piece

For those looking for jewellery ideas, the Bella Accessory line has many styles to choose from, making it perfect for the fashionista mom! My personal favourite is the chunky bib necklace made of woven red, orange and gray ribbons – it makes a great addition to any wardrobe and can be paired with a matching bracelet for that extra pop of colour!

Tealish Tea – Give the Gift of Tea!

Who doesn’t love a good cup of tea? Based in Toronto, Tealish makes gifting easy with their loose-leaf tea canisters in a variety of flavours including Toasty Almond, Sweet Macaroon, Dulce De Leche and Chocolate Loves Strawberry.

Filou Designs – Charming Accessories

Mom will treasure these timeless necklaces forever. Fiona Louie, of Vancouver, creates wearable works of art by transforming her own sketches into solid sterling silver necklace charms. Her signature style includes cut-out silhouettes of whimsical bicycles, anchors, fortune cookies and more.

Join us on Thursday, 8 May from 10 am – 7 pm for our annual Spring Fling Sale in the RMG Shop. For one day only, receive discounts of 10-50% off select merchandise!

Mother’s Day at the RMG

From family art activities, relaxing yoga for all ages, a classic brunch in our restaurant, Arthur’s on the 4^th, to thoughtful gifts in our shop, the RMG has you covered! For details on our Mother’s Day events, click here. For our Mother’s Day edition of OPG Second Sundays, click here.

Sneak Peaks: Pan Am Games!

“Hot Topics” blog posts come from the desk of Sarah Felgemacher, our
Communications & Social Media Co-ordinator.

In 2015, Toronto will be host to the Pan American/Parapan American Games, the third largest international multi-sport tournament behind the Olympic Summer Games and the Asian Games. Six thousand athletes from 41 participating countries will compete in 36 sporting events at over 30 venues across 16 municipalities.

That’s a wonderfully wide scope, and the General Motors Centre (GM Centre), Oshawa, will be a host venue for a one month period over July and August, 2015. The stadium at the heart of the City will be the competition grounds for the boxing and weightlifting events. This means the next 15 months will be a thrilling time of preparation, and the RMG is excited to be involved in such a momentous event!

Be sure to save Friday, 11 July on your calendar! The City will be hosting a one-year countdown event at the GM Centre – children’s activities, boxing and weightlifting activation stations and live musical performances are just a few of the events scheduled for the evening. Join us as we countdown to the festivities! The event kicks off at 5pm.

Beginning in May 2015, the RMG presents an exhibition featuring contemporary works focusing on the theme of boxing. What better way to get in the spirit of the games than to see a creative view of athletics?

Pete Doherty, Niagara Falls Memorial Arena, Niagara Falls, Ontario, 2003.

The next year will be in inspirational time in Oshawa. This is an opportunity to showcase what our City and community is about and we are excited to be a part of it all!

For more information about the One-Year Countdown and future events: http://www.oshawa.ca/panam/default.asp

For more information on the Pan American/Parapan American Games in Toronto 2015: http://www.toronto2015.org/

For volunteer information: http://www.oshawa.ca/panam/join.asp

The Curator’s View: Thomas Bouckley Collection, An Art Perspective Part 2

This post comes from the desk of Sonya Jones, Curator of the Thomas Bouckley Collection.

While studying and reviewing the photographs in the Thomas Bouckley Collection, I’m always looking for new ways to re-contextualize and interpret the Collection. What’s refreshing is that no matter how well I think I know the collection, I’m always pleasantly surprised to discover something new, or see something in a different light. For example, in a blog posted in 2012, (click here to view) I put on art historical lenses and selected a number of images from the collection that reminded me of famous artworks.

Since then, I’ve discovered more images that have similarities to artworks, whether through subject, composition, or both. Just for fun, here are a few more examples:

Jean Antoine Watteau Mezzetin, c. 1718

Jimmy Jacques With A Williams Banjo, 1910

Hans Holbein The Ambassadors, 1533

William and Wilkie White, 1890

L.S. Lowry The Fever Van, 1935

Traffic Signals at the Four Corners, 1920

Edward Hopper Office at Night, 1940

Tax Office, City Hall, 1957

Isabel McLaughlin Untitled, undated

Sand Filter Plant, Oshawa Harbour, 1919

Interested in exploring the Thomas Bouckley Collection? You can browse the collection online through our website here.

The Robert McLaughlin Gallery receives an Ontario Trillium Foundation Grant

The Robert McLaughlin Gallery receives an Ontario Trillium Foundation Grant

The Ontario Trillium Foundation announced today that The Robert McLaughlin Gallery, located in the heart of Oshawa, received a significant grant that supports the organization’s purpose—a dedication to sharing, exploring, and engaging with various communities through the continuing story of modern and contemporary Canadian art.

The grant totals $167,100 over 36 months and will support improvements to the gallery including new flooring and signage. The funds also support the growing volunteer program, with specific focus on increasing youth and young adults’ access to arts and cultural programming and volunteerism in Oshawa. Funds are also included to support the popular RMG Fridays program through increased youth participation. RMG Fridays is a monthly all-ages event that includes live music, art talks, gallery tours, openings, and community partnerships.

Andrea Cohen Barrack, CEO of the Ontario Trillium Foundation said,

“The Ontario Trillium Foundation has the unique opportunity to partner with a diverse range of not-for-profits and charities, all of whom are passionate and committed to helping their communities. I am excited to see what this round of grantees will accomplish with our support.”

Gabrielle Peacock, CEO of The Robert McLaughlin Gallery agreed that,

“This grant provides us the support we need to increase youth participation and engagement with arts and culture programming, ultimately helping us to forge valuable long-term relationships in our community while supporting youth volunteerism. We are grateful to the Ontario Trillium Foundation for their support of our initiatives.”

The Ontario Trillium Foundation (OTF) enables Ontarians to work together to enhance the quality of life in their communities. The OTF believes that communities across Ontario are rich in talent, creativity and drive, and their grants stimulate communities to build on these assets.

Learn more about the OTF at their website www.otf.ca.
Learn more about RMG Fridays at https://rmg.on.ca/RMG-FRIDAYS.php
Learn more about the RMG by watching this video:

[youtube=http://www.youtube.com/watch?v=GCzUEN6HbCc&w=560&h=315]

The Curious Curator: Toni Hamel

In this new blog series, our Senior Curator Linda Jansma or Assistant Curator Sonya Jones email artists with questions about their creative experiences. The emails are sent after the opening of the artists’ exhibition, and strive to reveal the experience of showing works at the RMG. In this edition Sonya Jones emailed Toni Hamel about her exhibition, The lingering, on now until the 24 of November, 2013.

SJ: What artists have influenced you and why?

Toni Hamel: There are many. Stylistically, I am attracted to the work of Michal Borremans, Joseph Cornell, Amy Cutler and Marcel Dzama. Conceptually, I love Mona Hatoum and Annette Messenger, both installation artists, for their choice of subject matter. Their work addresses the same issues I investigate in The lingering, such as gender role and discrimination, identity and self-acceptance. I also adore Betty Goodwin because I feel that her life story, much like mine, has been marked by serious struggles and heartaches, and I feel somewhat connected to the biography of Mary Pratt, although for different reasons. Married to the better known Christopher yet equally talented, Mary had to put her career on the back-burner while raising her family, her work considered more a hobby than a necessity during those years, and was able to re-focus on her practice only much later on in life. It is interesting to me to see how much I have in common with other women artists of my generations. Our biographies at times read very much as one: attempted our rise in the art world fresh out of art school, had to step away from it for two decades or so for familial commitments and obligations, and returned to it as middle-aged women. I wonder how many male artists have had to place their careers on such long hiatus because they had to dedicate the best years of their lives to caring for others…

Toni Hamel The Improvement 2013

SJ: Women often struggle with guilt at feeling discontented with their domestic existence. What would you say to these women?

Toni Hamel: It is ultimately a matter of choice. Guilt has many roots. It might stem from religious beliefs, from the social dictum, or from psychological predispositions. It is important to state at this point that this type of guilt is only experienced by women. Since for millennia we have been told to place our value as individuals on our ability to care for our families, it is quite understandable to feel guilty when our aspirations differ from those dictated by our society and/or culture. We are then confronted with an existential dilemma: do we continue living and behaving the way we have always done? Or do we break away from the norm and carve our own path? It is ultimately an issue of self-preservation and survival as guilt, in the long run, may also lead to more serious psychological complications.

An easy fix to this dilemma would be to physically remove ourselves from the context in which our guilt finds its fertile ground, to ultimately lead a life that is shaped by ourselves and for ourselves. When this option is not possible, I strongly believe that one way to alleviate one’s own discontent is to express it through a creative process. Such output not only has the power to sooth our soul, albeit momentarily, but it will also allow others to understand how we truly feel.

Our creative output, in fact, most times is able to succeed when simple words may otherwise fail. It is a form of communication that bridges the gap amongst us and brings us closer: as couples, as families, as communities, as human beings.

Toni Hamel Attachments 2012

SJ: You are refreshingly open about your personal struggles. How has the response from this exhibition been?

Toni Hamel: The response has been unimaginably positive, beyond my expectations in fact. A much welcome and collateral benefit of this exhibit has been that it is encouraging other women to come together and share their life stories, to speak about their own personal struggles and collective experiences, and find constructive ways to re-direct their psychological uneasiness.

The lingering might be my story, but it is also the story of countless other women, therefore it is very easy for them to recognize their own lives in these works.

SJ: What do you hope people will take from the exhibition?

Toni Hamel: I hope that The lingering will guide its female viewers through a journey of self-empowerment and self-realization, and direct its male visitors toward a path of understanding, appreciation and admiration for all women. As artists and intellectuals we are called upon to shape the culture of the society in which we live, and I strongly believe that exhibitions like The lingering lead us all in the right direction.

Read an article by Will McGuirk in the Durham College Chronicle.

Visit the artist’s website.

Visit the artist’s tumblr page.

Making Methods at RMG Fridays

Our fall RMG Fridays event series has been announced. The lineup includes exhibition openings, book readings and launches, short film screenings, and more, all set alongside the incredible live music performances you’ve come to expect! We’ve got even more in store, so stay tuned as we add new components to each event as we move closer to the date.

Friday 6 September is our first fall RMG Fridays and it is another busy event!

The opening of the exhibition Making Methods is the centrepiece. The artists Becky Ip, Mark Stebbins and Sam Mogelonsky will all be present to discuss their work.

The event also celebrates the opening of Community Curates II, a new exhibition of works from our permanent collection that were recently selected by our community through an online survey!

The Isabel McLaughlin Gallery will host the musical guests Isla Craig and Native Other (formerly called The Louder Sounds). Isla was recently profiled by BlogTO as a “breakout band.” Read more about her work here.
Native Other are a young emerging band from Oshawa. We’re excited to host both of these performances.

At the event we’ll also help kick off the OshawaSpaceInvaders art exhibition pop-up event. OshawaSpaceInvaders places contemporary art is temporary spaces. In mid-September, six groups of artists will take over vacant retail spaces in downtown Oshawa and fill them with diverse artwork. You can learn more about this group by visiting their blog, and pick up a schedule of events and map at RMG Fridays in September.

As always, RMG Fridays is free to attend and is open to all ages. A cash bar is available at the event. The gallery is open 7-10pm, with a new Nutshell Tour (a quick 10 minute tour) each month, starting at 7:15pm.

Join the RMG Fridays September event page on Facebook for regular updates.