Stephanie Foden, winner of RMG Exposed in 2016, is on the move

By Christy Chase

Photographer Stephanie Foden is going places.

Her love for photography keeps her moving year-round and her art is getting noticed, thanks in part to the Robert McLaughlin Gallery.

The former Durham Region resident won the Best Emerging Photographer award in 2016 at RMG Exposed, which raises funds for the gallery’s free arts programs. She also won the Community Choice award.

This year, Foden was selected by curator Charlotte Hale to donate a photograph for RMG Exposed: Out of This World. Her work, ‘Northern Sky’, will be part of a live auction of 10 chosen works at the Nov. 25 event.

“I’m so happy because I’ve been a big fan of the Robert McLaughlin Gallery for years,” she said, adding she’s always found the gallery warm and welcoming.

She’s also delighted her photograph is being auctioned alongside one donated by former Canadian astronaut Chris Hadfield. A photograph of Saudi Arabia he took from the International Space Station will be sold in the featured auction.

Foden’s photograph of the Northern Lights was taken in Saskatchewan last summer and is part of her RV Diaries project.

“For the last two summers, I’ve been travelling around Canada in a motorhome,” she explained. “It’s essentially about my life on the road.”

Last year, she drove from Toronto to British Columbia, documenting her journey with her camera. This year, she headed east to Newfoundland.

And she’s done both journeys in her 1987 Chevy Elite RV.

“I’m very surprised that I made it,” she said with a laugh.

She calls herself a digital nomad, splitting her time and her photography between Brazil and Canada. The RV, which can be seen in her donated photograph, is her home base during her time here.

The cold months she spends in Brazil’s northeast coastal state of Bahia, where she stayed for more than two years after touring South America. Works from her time there were featured in her solo exhibition at the RMG this past spring, earned for her win in RMG Exposed in 2016.

Foden says the award last year has definitely helped her and her career.

She’s received other recognition since but the win at the RMG was the “first significant thing” to happen in her career and she’s grateful for it.

“Winning mostly was kind of like a confidence boost. It encouraged me to keep going on the path that I’m on,” she said.

The solo show, part of the Scotiabank CONTACT Photography Festival, also saw her work featured in media outlets across the GTA.

This year, Photo Boite selected Foden as one of its 30 Under 30 women photographers. And her photograph taken for the Bill and Melinda Gates Foundation won the American Experience category in the Smithsonian Magazine photography competition. Her works can be found in galleries around the world.

The former Durham Region resident didn’t set out to be a photographer. She was studying print and broadcast journalism at college but developed a love for photography after buying a camera and backpacking through Asia one summer before graduation.

“I never pictured myself as a photographer. I never thought I was creative enough,” she said, adding what has happened is “ a lesson that you should just try it.”

She said her time in Brazil was “kind of like my education. That’s where I developed my voice, my vision.

“I shoot in colour. I have an eye for light, and particularly dramatic, beautiful lighting. My stories and photos have a positive angle.”

She’ll head back to Brazil in December and when she returns in the spring, she and her RV will head to the United States.

RMG Exposed: Out of This World takes place at the gallery, 72 Queen St., Oshawa, Nov. 25 from 7 to 10 p.m. There will be a featured auction, live auction of curated works, and a silent auction of works selected from submissions from national and American photographers. There will also be space-themed events. Those in attendance get to vote for the Community Choice award. Tickets are available at the gallery and at www.rmgexposed.net where you can also find more information about the event.

Christy Chase is a long-time resident of Oshawa and a writer. She enjoys exploring her artistic side as a volunteer at the RMG.

Not your typical art class

The RMG is rolling out 21st century learning

21st century learning is an exciting, new and impactful educational model that’s developed around an understanding of 21st century skills and knowledge; like the role technology plays in day-to-day life, being adaptable and collaborative, thinking independently and critically, and effective communication.

We’re really thrilled to be bringing this learning model to the RMG’s programming. With this new cross-curricular approach to art making, kids explore big issues with depth and meaning through a variety of imaginative exercises, sharing ideas and discussions enable them to think critically. They’ll be up and moving, acting, singing, sharing and exploring their creative capacity.

By encouraging a ‘culture of participation’ and inviting collective contributions and innovations, we’re hoping to inspire people to take control of their learning through creative and artistic expression.

Check out our new and upcoming programming for kids and adults here.

When Margaret met Alexandra

By: Raechel Bonomo

The career of an artist is contingent on change and evolution. An artist may grow through, or in reflection of, societal deviations and of course, the ones within themselves. Like Picasso in his Blue Period, in which the artist drew inspiration from poverty and his own personal suffering, these vicissitudes often reveal themselves through creation of work and are then consumed by the audience. But eventually, things for Picasso changed and subsequently so did his work – made evident by is successive Rose Period.

Art has the power to create a dialogue between its creator and its viewer. It’s a special kind of relationship, one that artist, writer and curator Margaret Rodgers developed with Painters 11 member, Alexandra Luke (1901 – 1967) through her work.

Luke has been a familiar face in many of Rodger’s projects, from her 1995 book, Locating Alexandra, to most recently as a guest curator of Legacies: Luke, McLaughlin, Donovan and MacGregor, currently on exhibition at the Robert McLaughlin Gallery (RMG).

When Rodgers first began exploring the life of Alexandra Luke [born Margaret Alexandra Luke], she believed that her and Luke were quite similar.

“I thought, ‘my name is Margaret too, I work in my attic too, came to artmaking as a professional later in life [and also] juggle family and other duties,’” says Rodgers. “Upon deeper study, I came to see the enormous gulf between an Oshawa society matron, married into the McLaughlin family, and middle-class me.”

This initial draw is what led Rodgers down the rabbit hole of what she describes as a “fascinating” fall through Luke’s work and life. In Legacies, Rodgers worked with contemporary artists, Teri Donovan and Gwen MacGregor to create modern work that reflects and celebrates the career of Luke and her contemporary, Isabel McLaughlin (1903 – 2002).

“Connecting the past to the present sets up a level of identification and understanding that enlarges the experience for everyone,” says Rodgers. “Luke and McLaughlin have a new audience in contemporary terms while Donovan and MacGregor can connect to the historical.”

As a curator, Rodgers found herself armoured with the variety and form that various kinds of artistic talent can take.

“I had no idea what each artist would decide to do, and invited them because of the kinds of work they had previously made,” says Rodgers. “Both Donovan and MacGregor rose to the challenge of riffing off Luke and McLaughlin. I like the way that Donovan has chosen to flesh out the life stories of Luke and McLaughlin, while MacGregor has created a path forward in two inclusive and diverse projects that speak to a variety of gender-related issues. I couldn’t be more pleased with the exhibition.”

Often in Rodgers’ own work, she reaches back into history and pulls out inspiration, merging it with current societal themes, such as socio-historical issues and systems of belief and cultural traditions.

“I have a deep interest in our local heritage and have done a fair amount of work that relates to Oshawa’s past,” says Rodgers. “Right now, I’m digging into my own family history to look at how people lived in late-Victorian/early 20 century Canada and making connections between life in small-town Ontario and how we live today.”

Even after a successful career as a writer, artist and curator, Rodgers isn’t retiring any time soon. Although she has declared that isn’t “hitting the ground running each day” anymore, there’s no stopping the ever-evolving work of Margret Rodgers.

“Each series [I’ve done] has engrossed me when I was doing it, and then once it’s been realized, there is a fadeout to make room for the next thing.”

You can catch Legacies: Luke, McLaughlin, Donovan and MacGregor at the RMG now until January 7, 2018.

Music, Culture, Love – Fiuran

By Stephanie Pollard

Fiuran, a Canadian Celtic band that performs songs in Scottish Gaelic blended with contemporary instruments and sounds, know their music probably won’t make the Billboard Top 100.

They don’t care.

Musicians and Scottish culture lovers Randy Waugh, Stephen Dick, Dave Mandel, Krista Grant and Zachary Stuckey came together as Fiuran (sapling), and debuted their first album Faodail (lucky find) to submit to the Junos in Spring 2016. Waugh created the band to re-connect with fellow musicians, and showcase Scottish culture by sharing old songs in new ways.

“I teach Scottish Gaelic – language and culture at the University of Ottawa (and)… I had this idea of putting together a band that fused Scottish instruments (bag pipes, Irish whistles), singing in Scottish Gaelic and (I) wanted to get re-involved with some of the folks I toured with in the 70s and 80s,” he said.

While bands singing exclusively in languages other than English hasn’t prevented international stardom, singing in Scottish Gaelic gives audiences a unique experience.

“The response we usually get is ‘we don’t know what’s going on, but it’s cool!’,” Waugh said. Some listeners get taken back to a place once forgotten, yet filled with love.

“…There might be something familiar for someone in the crowd (and they) say ‘oh my grandma used to sing that song when I was little,’ and it’s really exciting for those members of the audience because it’s a new spin on (these songs),” lead vocalist and musician Grant explained.

However, every blend doesn’t go down smoothly with everyone.

“The hardcore traditionalists don’t really like what we do because ‘we’re changing tradition,’ but we believe that no language or culture is static…we love the culture- we honour it, but we’re not stuck in the way things were done in the past,” Waugh said.

Despite some resistance, Fiuran does right by the culture they represent by putting their whole selves into the music.

“My upbringing wasn’t in the Scottish culture or even in Gaelic culture, but it’s super-duper intriguing- just learning the history, the beauty of the melodies, how passionate the songs are, it’s hard not to get hooked on it once you actually get into it…I feel very lucky that Randy invited me to be part of this project because it’s important for my spirit,” Grant said.

Fiuran plans to keep showing their love for Scottish culture by performing at First Fridays @ RMG -LEGACIES on October 6.

RMG Exposed 2017: Stephanie Foden is back!

RMG Exposed 2017: November 25, 7-10pm
RMG Exposed 2017 website.

The Robert McLaughlin Gallery sponsors an exhibition each year for the winner of the Best Overall Submission during the RMG’s annual fundraiser, RMG Exposed. The purpose of this prize is to raise awareness of contemporary photographers and their work and at last fall’s event, Canada and Brazil-based photographer Stephanie Foden’s work, Front Door, took the highest award.

Her exhibition Saudade da Bahia looked at her latest series of works, taken while she has been living in Brazil, and entitled Saudade da Bahia. A graduate of Durham College’s Journalism program, she has been documenting the Brazilian state of Bahia since 2013. As she notes, travel has affected not only her life, but also her practice as a photographer. She writes about her experience photographing in Brazil:

Being an avid adventurer since a young age, travel has played a decisive role in shaping Foden’s life and craft. She travels through non-tourist areas, absorbing the sounds, smells and energy while simultaneously enthralled by the area’s history that includes the fact that Bahia’s capital was the largest slave trading port in the Americas.

Stephanie Foden is back for RMG Exposed 2017, this time she’s been curated into the live auction by RMG Exposed 2017 Live Auction curator.

Be sure to check out the RMG Exposed 2017 website to check out the auction lots and get your tickets.

RMG Exposed 2017: Live Auction Preview

David Bastedo

The RMG Exposed 2017 Live Auction is being curated by curator, gallerist, and arts educator Charlotte Hale who is excited to be bringing work from across North America to the auction.

The image above is by David Bastedo is a superb and innovative image maker. He has been the exclusive Tragically Hip photographer for many years and has joined them on their many journeys. He shoots with an eye for the unusual and produces evocative and powerful images. This print is a special studio proof produced exclusively for the RMG Exposed Live Auction and we are thrilled to be bringing this work to you.

Be sure to check out David’s other work and recent interviews.

Visit the RMG Exposed 2017 website to preview live and silent auction lots.

 

In Memory of Lotti Thomas

“I first met Lotti Thomas through her work. I was volunteering at the art gallery at the Scarborough campus of the University of Toronto in the later 1980s and installed one of her amazing lithographs in a group exhibition of alumni. I actually ended up buying the work for my own nascent collection.

Lotti would show her work in a solo exhibition in the fall of 1990 at the RMG and that’s where I got to know her as a person. She was passionate about Canada and its histories—histories both real and imagined. Coming from the small country of the Netherlands, the breadth and depth of Canada never ceased to amaze her and she explored many parts of it over the years. We were privileged, most recently, to install her beautiful lithographic construction Canada West, the Last Best West in the Durham Reach project that began the RMG’s 50th anniversary celebrations this past January.

Lotti died on August 3 and leaves a legacy in her artistic practice that combined the historic arts of her home country with her imaginings of the wilds of Canada. She will be missed by all her knew her.”

Linda Jansma

That’s a wrap!

By Christy Chase

The Robert McLaughlin Gallery (RMG) and AWCCU Financial have cashed in on their partnership and are taking art into the community in an unexpected way.

In late 2016, the two community organizations unveiled ATM machines showcasing three works of abstract art by Painters Eleven (P11), a focus of the RMG’s permanent collection.

Now when the credit union’s members carry out their financial business at one of three ATMs, they do so at machines featuring colourful works of art and a connection to Durham’s rich art history.

atm2

It’s a continuation of a partnership in which AWCCU Financial sponsors RMG Fridays, a vibrant, free community event of art, music and fun held the first Friday evening of each month.

Meghyn Cox, AWCCU Financial’s creative marketing manager, said the idea came out of a discussion with a colleague when the credit union was updating its ATM technology and surrounds to complement new branding. The colleague suggested working with the RMG and Cox took it from there.

 

“I wanted to …  get the ball rolling for more and bigger participation with the gallery,” she said. “It’s about awareness in the community.”

Cox imagined using art on the ATMs as a way to build community. She and the RMG worked closely and came up  with three works from Painters Eleven. Once AWCCU Financial members approved, wraps were produced for ATMs in Oshawa and Bowmanville.

The P11 paintings selected are Encounter by Alexandra Luke, an Oshawa artist, Flowers by Tom Hodgson, and Small Structure by Oscar Cahén. Each ATM carries a small plaque noting the art and the artist.

Cox said the wraps have attracted attention as they were meant to do.

“We’ve had some feedback from the community,” she said.

People have asked why they’ve never seen something like that before and if more ATMs will feature art.

Lucas Cabral, communications and digital marketing lead at the RMG, said the wraps are “a nice way to connect art with the community.”

He said AWCCU Financial understands the value of arts in the community and that the credit union does “a lot of connecting with the community.”

Cabral noted the two organizations have this in common.

Cox said AWCCU Financial is made up of members of the community which makes it part of the community, as is the RMG.

The ATM wraps won’t be coming down anytime soon.

“The craftsmanship means we can leave them up for a long time,” Cox said.

That’s not to say AWCCU Financial and the RMG have put a wrap on this unique partnership.  Cox said she’d like to see it continue, with the original wraps swapped out with different works of art on a regular basis.

You can check out the art on ATMs at AWCCU Financial in Oshawa and Bowmanville, or at the RMG where at least 11 works from its Painters Eleven collection are on display at all times.

 

Christy Chase is a long-time resident of Oshawa, a writer, and former reporter and editor with local newspapers. She now enjoys exploring her artistic side as a volunteer at the RMG

 

Art Police: Playing Around

Art Police: Playing Around
Art Lab through end of August

By Christy Chase

Summer is one of the best times to play.

That’s just what four artists are doing this summer in RMG’s Art Lab, a space designed for experimentation and exploration. It’s located on the first floor.

Rebecca Casalino, Caroline Popiel, Claudia Rick and Andrea Aleman-Pastor, all recent graduates of the University of Guelph’s studio art program, make up the art collective Art Police. They will be playing around during their residency in the glass-walled lab through the end of August.

But it won’t be all fun and games. They are planning a look at childhood but with a twist, a tinge of adulthood.

They consider themselves in a good position to take a fun, edgy look at childhood.

“The thing is you graduate, you’re in this limbo” between childhood and adulthood, Popiel said.

ArtPolice

Up first is a blanket fort, complete with blankets, sheets and stuffed toys, but with a construction crew twist. This will be followed by a community gym and then a playground, perhaps with an outdoor component.

True to the idea of the Art Lab, the four artists will concentrate on building installations, having fun and exploring.
“We’re planning to be hanging out in here doing things,” said Casalino.

 

 

And everyone is welcome to visit. In fact, the artists are hoping to see a row of nose prints smudging the windows, from the children in the summer art camps, and to get inquiries from adults.
“I think it should be a little confusing,” Rick said.

Aleman-Pastor said it’s “really important for people to see the artists at work,” to see what studio work and space means to artists.

People should expect a healthy dose of humour from the Art Police.

“We love over the top here,” said Popiel. “We’re always trying to do something cheesy.”

The four women, who met at university, have been working as a collective for two years, and creating projects for one.
Casalino had applied to the RMG for a show last year but the collective wasn’t accepted. Instead, the artists were offered this residency. They’ve been planning and collecting material (they admit to being hoarders) since last October.

With commutes and part-time jobs, the artists won’t all be at the Art Lab at the same time, but someone should be there at least four days a week.
The artists will document their residency online, through Facebook at ART POLICE and Instagram at art.police.collective and tumblr at artpolicecollective.tumblr.com .

Christy Chase is a long-time resident of Oshawa and a writer. She enjoys exploring her artistic side as a volunteer at the RMG.

RMG Fridays: Pride

By Stephanie Pollard

Rainbow flags, rainbow stairs, rainbow eyebrows.

Guess what June’s First Fridays at RMG’s theme was.

Durham’s LGBTQ+ community and residents came together at the Robert McLaughlin Gallery on June 2 to hear, see, and celebrate the beauty in difference. In the front foyer, guests got an idea of organizations that work with Durham’s LGBTQ+ residents, namely Pride Durham (@pridedurham), and Durham Region Writing Rainbow (@WritingRainbow), an organization dedicated to providing a fun and supportive space for Durham’s pride community, and a pride youth focused (up to age 29) writing group based in the Petticoat Creek branch of the Pickering library respectively.

“We actually started in 2011, but went on a bit of a hiatus until we got a grant from the Ontario Trillium Foundation in 2015,” Executive Director Brendan Tihane, of Durham Region Writing Rainbow explained. Anyone wanting to check out or share their work, can visit them at the Pickering library conference room on Saturdays from 2:00 to 4:00 p.m., or attend their open mic nights where new zine issues are ready for pickup.

AJG-1844

In the main gallery, guests were treated to performances by upcoming performers Lauren Dillen, and Scott Auguste, as well as headlining drag queen Bunni Lapin, whose numbers were as glorious as her outfits and personality. Also known as Andrew Pelrine, Bunni’s career blossomed in Halifax’s drag scene, and the move to Toronto seven years ago helped her career flourish with a touch of familiarity.

“I love coming to Durham to perform for you guys because it reminds me so much of home!” Bunni said before performing Lady Gaga’s A Million Reasons in a cream sequinned gown and five-inch heels.

Downstairs, the First Fridays’ Film Feature was Lyra Allard’s His Story, about a young Black transman’s journey to becoming his full identity, which exposes various struggles ranging from isolation, family tension, and homophobia in the Black community.

Across the hallway, guests were invited to take in artwork from established and closet-artists, who created their ideas of ‘Home’ (June 1-18), as June also happens to be Seniors Month, the competition and exhibition featured artists 55 years old and above.

Regardless of age, gender, or how we choose to express ourselves, we’re all in this region together.

Why not enjoy each other’s art and company?

Celebrate with us again at next month’s RMG First Fridays, or drop in another day to admire our work, or say hi.