RMG Fridays Presents: The Ties That Bind

Celebrate the opening of the new Permanent Collection exhibition The Ties That Bind by renewing connections at RMG Fridays! Come with an old friend, make a new friend, and discover new musicians and filmmakers at the first indoor RMG Fridays since winter 2020.

7:00 – Doors open

7:30 – Performance by EQUAL

8:15 – Tour of The Ties That Bind

8:45 – Performance by L CON

Downstairs in the Lookout

Films from DRIFF will be playing throughout the evening at 7:15pm, 8pm, and 9pm.

Black Bag (10 mins)

Directed by Lee Foster

Two US Marines are trapped behind enemy lines with vague mission objectives, and an even more mysterious package.

The Other Side (8mins)

Directed by Jordan Settembrini

An enthusiastic hiker leads his city-boy friend through a strange forest, after claiming to have found the discovery of a lifetime. It is soon learned that some things are better left undiscovered.

Each screening features special Q&A time with the Filmmakers from both films!

About L CON

Lisa Conway-Bühler (b. 1988, Canada) is a Swiss-Canadian composer, sound artist, songwriter, producer, and mix engineer. Her recordings have been described as “ethereal, minimalist, experimental, unnerving…and downright elegant” (AUX), with the Toronto Star claiming, “Conway is bound for greatness, even if she doesn’t realize it yet.”

An artist who continually tries to push herself into the unfamiliar, her multifaceted CV includes original scores and songs for documentaries, short films, and theatre productions, site-specific multi-channel sound and light installations, collaborations with contemporary dancers and performance artists, and an array of renowned creative residencies. She is an alumni of the final Red Bull Music Academy (2018, Berlin), as well as the Canadian Film Centre’s year-long Slaight Music Residency (2016).

About EQUAL

Saleen and Chelsea, 20 and 22 years old, believe that having a platform means using it to do good – and what a platform it has become. With musical stylings evocative of First Aid Kit and Taylor Swift, the duo have caught the eyes of industry greats Kim Cooke, Dave Bashk, and Dan CLancy of Revolution Recording Studios, Sum 41, and Lighthouse.

Durham’s Best Band (2018) has been described as ‘lyrically sophisticated’, ‘raw and emotional’, featuring ‘excellent harmonies and songwriting’. Look for music that matters? You’ve found it. Meet Equal.

Special thanks to DRIFF in a Jiff and Canada Council and the Arts Reopening Fund for their support with this event. We acknowledge the financial support of Canada’s private radio broadcasters.

The Sire of Sires

The Sire of Sires is a new video work by Jordan Elliot Prosser produced during his artist residency at The Robert McLaughlin Gallery. A loose adaption of L’Après-midi d’un faune – first a poem by Stéphane Mallarmé (1876), then a symphony by Claude Debussy (1894), and then a ballet by Vaslav Nijinsky (1912) – The Sire of Siresis the latest chapter in Prosser’s expanding video series mapping personal and collective histories of Oshawa. In earlier works, Prosser turned to local landmarks such as General Motors and Parkwood Estate to reflect on the city’s precarious post-industrial identity. In this new work, he considers another performance-driven business that took root in Oshawa in the 20^th century: Windfields Farm.

Through the late 20^th-century, E.P. Taylor’s horse breeding enterprise at Windfields was the leading producer of Thoroughbreds in Canada, the most famous of which, Northern Dancer, was the first Canadian-bred horse to win the Kentucky Derby. He retired as a sought-after studding horse at Windfields in 1965, ultimately siring the dominant lineage of Thoroughbreds world wide and earning him the title “sire of sires.” Many of Northern Dancer’s descendants achieved success in both racing and breeding, including his son Nijinsky whose namesake, Vaslav Nijinsky, was a prominent originator of modern ballet in the 20^th-century.

In 1912, Nijinsky dramatized Mallarmé’s poem L’Après-midi d’un faune in a lyrical tableau set to Debussy. The original poem takes the form of an erotic monologue written from the perspective of a mythological faun on a summer’s afternoon. In Prosser’s film, the central figure journeys through Windfields’ defunct farm buildings and its surrounding suburban landscapes in a plaster horse mask. They explore the transformed rural pastures in ways that are at times curious and searching, and in others, bored and languishing. In addition to capturing a sense of this place, Prosser is interested in considering the ways that lineage and reproduction are valued in Oshawa’s industrial histories and civic identity. By drawing on the creative lineages of Mallarmé, Debussy, and Nijinsky, Prosser awkwardly inserts himself within these traditions, exploring the relationship between reproduction, legacy, and identity.

Jordan Elliott Prosser (b. 1991, Oshawa, Canada) is a multi-media artist who uses documentary methods to study the architecture of subjective experience. He received a Master of Visual Studies from the University of Toronto, a Bachelor of Architectural Studies from the University of Waterloo, and studied Literary, Musical, & Visual Thought at the European Graduate School. His work has been shown at the Art Museum at the University of Toronto, Hearth Garage, and Crutch CAC.

This exhibition is supported by the RBC Foundation’s RBC Emerging Artist Project.

Documentation by Toni Hafkenscheid.

Kazuo Nakamura: Universal Pattern

Born in 1926 in Vancouver, BC, Kazuo Nakamura was interested in art at an early age. As a teenager, he would pore over his uncle’s Japanese art magazines and explore the city with a sketchbook in hand. In 1939, he began his formal art training at the Vancouver Technical Secondary School where he was taught by Jock Macdonald—an artist known for his modernist approach and a future fellow member of Painters Eleven. In 1941, his art training was cut short when he and his family were sent to a Japanese internment camp in Tashme, BC. Between doing labour in the camp and attending high school classes in the evening, Nakamura still found time to sketch and paint. He and his family spent two years interned before the Canadian government forcefully relocated them to Hamilton. Nakamura would eventually settle in Toronto where he picked up his formal art training again at the Central Technical School (1948-1951). In Toronto, he quickly became a part of the Toronto art scene thanks to his relationship with both Albert Franck and Jock Macdonald.

Photograph of Kazuo Nakamura at Painters Eleven in Retrospect exhibition opening, 1972, at the RMG.

Kazuo Nakamura was a founding member of Painters Eleven (1953-60), Ontario’s first abstract art collective. In 1953, he was approached by William Ronald to participate in the Abstracts at Home exhibition that played a central role in the formation of Painters Eleven that same year. Although sharing in the other members’ use of abstraction, Nakamura’s work was distinguished within the group by his use of more subdued brushstrokes, simpler structures and monochromatic palette. When reflecting on the influence of Painters Eleven to his art, Nakamura believed he benefited most from the opportunities for exhibition. He also developed lasting relationships that continued post the disbanding of the group.

Kazuo Nakamura (Japanese Canadian, 1926-2002), Number Structure 2, 1983, oil on linen. Courtesy of the Estate of Kazuo Nakamura.

Nakamura’s fascination with science and mathematics is evident throughout his career through his use of patterns, linear perspectives, and geometric forms. From the earliest landscapes and abstractions to his later mathematical explorations, Nakamura was seeking patterns in nature. He considered his most important work to be his Number Structure series, done later in his career, where he explored how the language of numbers reveal patterns and structures in the natural world. Curator Dennis Reid summed up what Nakamura was seeking: “Kaz was passionate about understanding the universe he lived in and conveying that understanding to others.” Nakamura’s Number Structure series connects all of his artistic explorations together, directly linking his interest in science and art. In 1956, Nakamura explained in an interview with art critic Robert Fulford his belief that science and art are deeply connected: “…I think there’s a sort of fundamental universal pattern in all art and nature… In a sense, scientists and artists are doing the same thing. This world of pattern is the world we are discovering together.”

Kazuo Nakamura (Japanese Canadian 1926 – 2002), Morning Landscape, 1953, ink wash on paper. Purchase, 1991.

Drawing primarily from the RMG’s permanent collection, this exhibition pulls together works that reflect the scope of Nakamura’s artistic career and his constant search for truth and understanding of the world around him.

RMG Holiday Night Market

The Robert McLaughlin Gallery is very excited to host our first artisan market of the year in partnership with the City of Oshawa!

Our market will be conducted indoors, alongside the Oshawa Bright & Merry Festival, and will provide a spectacular view of the Tree Lighting ceremony.

Featuring high-quality artisans from across the GTA, we strive to provide a unique and local shopping experience this holiday season.

Meet our Vendors!

Damaged Goods – @damagedgoodsshoppe

Damaged Goods Shoppe creates unique and one of a kind mixed media art incorporating a variety of images, quotes and poetry and decoupage. As well as repurposing vintage items into one of a kind jewellery and housewares.

The Spring Moon – @thespringmoon
The Spring Moon celebrates the uniqueness and individuality of women by creating one-of-a-kind pieces of wearable art inspired by historical paintings and museum artifacts. Meticulously crafted by the Toronto based multi-disciplinary artist, Farheen Ali, each handmade piece features a striking mix of iridescent shells, pearls, recycled metals and found objects. These elements are all woven together with copper and stainless steel to create stunning pieces of wearable art, each with its own unique story.

Candles and Palms – @candlesandpalms

We specialize in hand pouring pure soy products, long lasting candles and wax melts. We carry a variety of scents and colours to add ambiance to your homes! Our candles are built to snuff using our lids to extinguish the flame and keep the smoke in the jar for your healthier living!

Equanimity Ceramics – @equanimityceramics

Ida is the ceramic artist behind Equanimity Ceramics creating functional pottery for your home. Ida focuses on functional kitchen ware and home decor in a modern style and neutral colors.

Catherine & Co. – @catherineandcompany

Catherine & Co. is a Toronto-based candle company known for making candles that are bound to start a conversation. Starting with a mission to get ahead of the next pandemic hobby, Catherine & Co. has become known for its funny candle names, fresh scents, and reusable glass jars. You can find our candles in-store across the GTA.

Kyla Vitek Jewellery – @kylavitekjewellery

Inspired by the perfection of nature, Kyla uses natural elements with ethically sourced precious metals & gemstones to create handmade silver & gold jewellery. Often examining the undesirable, odd or mundane aspects of plant life, Kyla utilizes the technique of organic casting to immortalize cedar sprigs, maple keys, twigs & seed pods to create pieces of wearable art.

Jothi Creative Wellness – @jothi_creative

Jothi is the Founder of Jothi Creative Wellness and the Visionary behind HERSpace a self-identified space for women and femmes collective wellness and connection. Jothi is an award-winning certified Transformational Wellness Coach facilitating groups and individual Wellness for over 10 years. Jothi is also an interdisciplinary artist and will have her beautiful art card sets along with prints, original art, and some HERSpace totes, mugs, bookmarks, stickers and journals for sale.

Artastic Sarah – @artastic_sarah

“Artastic Sarah” represents many mediums I enjoy working with, specifically resin and photography. As a beginner artist, I am always experimenting with these mediums. For my resin, the brand I always use is “ArtResin”. I make keychains from various molds, my finished pieces always include glitter, beads, stickers, leaves and little branches. My photography prints are 4×6 inches with a matte finish. My prints showcase my best photography work within nature.

AliStyles Paper Co. – @alistylespaperco

AliStyles Paper Co. is an emerging paper goods company specializing in greeting cards with bright colourful designs and punny, playful messages. Alice, the artist behind these designs has carefully crafted a variety of cards for life’s most meaningful moments. Inspired by her love of creating personalized cards for friends and family, she strives to renew the care and thoughtfulness of card giving.

TTAS Painting Gallery – @ttaspaintinggallery

Taslima is a self taught artist and passionate about creating nature landscapes, floral, still life and wildlife paintings on canvases using Acrylic. Her inspiration comes from the never-ending beauty she finds in nature.

Robin L. Potter – @robinlpotter

As an artist, my paintings emerge from intuitive and expressionistic beginnings, and evolve when incorporating objects, text, mark making, writing, papers, fabric, ribbon, glass and other domestic, natural, and academic materials into the artworks to create vibrant and multidimensional intention and layers. I work on wood panels, paper, and on stretched and raw canvases. My work has been shown in local juried shows. Extending my art to wearables lends a new vibe to the art.

QB Jewelry – @qbjewelryca

QB Jewelry makes one-of-a-kind pieces with purpose, to help you vibe high and feel beautiful. Each stone is carefully selected to ensure you’re wearing the highest quality items.

Russell Styles Art – @paper_bowl_bloke

The Paper Bowl Bloke creates ornamental paper bowls perfect for adding a pop of colour to your home décor. While rekindling his affection for the art of Paper Mache during the pandemic lockdowns, Russell Styles, the ‘Paper Bowl Bloke’ began crafting bowls from recycled newspapers in a variety of quirky shapes and sizes. Each bowl is a one-of-a-kind creation, hand painted in vibrant colors and decorated with sculpted embellishments.

Sorrel & Sage – @sorrelandsage

Sorrel & Sage—a wellness company that provides natural + curated products that promote and enhance the experience of self-care. Self-care is a concept that gets bandied about a lot, and while it means different things to different people, it’s become more apparent than ever that we all need to make time for it.

Sarah Tihane – @sarahtihane

Sarah Tihane makes whimsical, nature-inspired art objects that are playful (brightly painted plastic animal skulls with floral motifs), practical (fun bags to hold your dice and other treasures), and thoughtful (mini eco-art sculptures made from transformed Lake Ontario litter). In addition to these one-of-a-kind pieces, Sarah offers prints of frog photography, and illustrations of animal-headed people. She hopes you’ll enjoy exploring the little details and the feeling of discovery with each piece. And yes, she’s very good at sneaking up on frogs.

Vira Jewellery – @_virajewelry

House of the Painted Rock

The Urban Hick

Peach & Olive

All questions regarding this event should be directed to:

Emeraude Domingos-Mbuku Development & Membership Lead

Phone: (905) 576-3000

Email: [email protected]

Erin Szikora

Phone: (905) 576-3000

Email: [email protected]

Fall Exhibitions Opening

Coming from Toronto? We have organized a bus to bring you to and from the opening! Pick up will be in front of OCADU at 100 McCaul St at 12:30PM. The bus will leave the RMG to return to OCADU at 3:45PM. Please fill out this form toreserve a spot on the bus.

On October 1, we are celebrating two new exhibitions at the RMG:

The Beyond Within

Annie MacDonell

September 24, 2022 – February 12, 2023

Curated by: Crystal Mowry and Leila Timmins
Organized and produced in partnership with the Kitchener-Waterloo Art Gallery

At 2:15, Annie MacDonell will deliver a tour of her exhibition with Leila Timmins.

The Beyond Within is an exhibition of recent work by Toronto-based artist Annie MacDonell, exploring feminist conceptions of the everyday as a basis for political engagement with the world. In two videos made in collaboration with Paris-based artist Maïder Fortuné, pedagogical roles are underwritten by radical forms of intimacy. OUTHERE (For Lee Lozano) and Communicating Vessels consider the potential for dissolving an isolated sense of self through friendship and art making. MacDonell’s new film installation, Set and Setting, continues this exploration by juxtaposing animated drawings sourced from early psychedelic research trials with architectural sets that recall institutional examination rooms. The piece suggests that the boundary between subject and viewer is not only thin, but porous and continuously shifting. Through these collaborative video projects and new installations, MacDonell asks whether it is possible, within static institutions and other familiar containers, to follow radical detours that create possibilities to build our worlds anew.

The Sire of Sires

Jordan Elliot Prosser

October 1 – November 13, 2022

Curated by: Hannah Keating

Informed by the legacy of landmarks like General Motors, Jordan Elliot Prosser’s recent projects have documented Oshawa’s uncertain identity as a post-industrial suburban community. In The Sire of Sires, he turns to another performance-driven industry that took root in Oshawa: E.P. Taylor’s enterprise at Windfields Farm. As the leading producer of thoroughbreds in Canada, Windfields produced Northern Dancer, who was first Canadian-bred horse to win the Kentucky Derby and the most influential stallion in North America. Upon retirement, Northern Dancer became a sought-after studding horse with many of his descendants achieving success as both racehorses and sires. One of those sons, Nijinsky, was named after a famous 20^th-century Russian ballet dancer who prophesized he would be reborn as a horse. This unusual and unlikely tie between Oshawa and Vaslav Nijinsky inspired Prosser’s new video The Sire of Sires, which he shot at Windfields Farm and features a character from Nijinsky’s ballet L’Après-midi d’un faune (1912). The ballet itself was created in response to two other works of art by the same name: a symphony (1894) by Claude Debussy and a poem (1876) by Stéphane Mallarmé. Accordingly, The Sire of Sires reflects on the theme of reproduction, as it relates to artistic inheritance and Prosser’s sprawling record of this place called Oshawa.

Also on view:

True Currency

Artists: Christina Battle, Helen Cho, Alvin Luong, Sofia Mesa, Dana Prieto, Cassie Thornton

June 18 – November 5, 2022

Complete Freedom

Abstract artworks from our permanent collection

December 11th, 2021 – October 9th, 2022

Come Together

Photographs from the Thomas Bouckley Collection

June 18, 2022 – January 8, 2023

RMG Fridays Presents: Back to School

We’re going to squeeze in one more outdoor show! Lets mark back to school by extending the summer just a little bit longer. Bring a lawn chair or a blanket and come experience the soulful song writing and warm melodies of Hunter Sheridan.

This is an all-ages event; pets will not be admitted. Please note that there is no smoking on City property, which includes the RMG’s backyard.

Explore Hunter Sheridan’s music and new single Northern Lights.

Upstairs in Arthurs on the 4th:

Films from DRIFF will be playing throughout the evening at 7:15pm, 8pm, and 9pm.

September’s Films:

BELLA

BY: KAYLEE LEBRETON

A beautifully distressing black and white film about a woman being followed by trauma that comes to a shocking and unexpected conclusion.

MAYMAY

BY: BILL SHAWANDA

A daughter’s impromptu visit with her reclusive mother leads to revelations both past and present.

DIRTY HANDS

BY: GRETA CHEECHOO

Dirty Hands is a story of lost innocence when a young boy experiments with drugs. His older brother Norman, feeling anger and pain, takes matters into his own hands and sets out to get revenge on the one who is responsible for his brother’s overdose.

Hunter Sheridan

Hunter Sheridan is a Canadian musician whose music delivers introspective, soulful song writing with warm melodies that weave a euphoric atmosphere. Hunter’s writing highlights self-discovery, honest lyrics, and dynamic arrangements, connecting with listeners across music genres.

Special thanks to DRIFF in a Jiff and Canada Council and the Arts Reopening Fund for their support with this event. We acknowledge the financial support of Canada’s private radio broadcasters.

The Beyond Within

Organized and produced in partnership with the Kitchener-Waterloo Art Gallery.

This exhibition opens at Illingworth Kerr Gallery in Calgary, January 19, 2023

As a surface with only one side, the Mobius strip resists orientation. To trace its surface is to experience left becoming right, outside flipping in, and time assuming the shape of an infinite loop. While its perimeter is defined, it is the twist in the loop that prevents predictability. Within static institutions and other familiar containers, is it possible to experience a similar twist – a radical detour – that encourages us to build our worlds anew?

Underpinned by feminist conceptions of the everyday as a basis for political engagement with the world, The Beyond Within proposes strategies for reorientation. In two videos made in collaboration with Paris-based artist Maïder Fortuné, pedagogical roles are underwritten by radical forms of intimacy. OUTHERE (For Lee Lozano) incorporates documentation from a 1971 lecture at the Nova Scotia College of Art and Design alongside archives and an astrological reading to give form to an influential recluse: the late conceptual artist Lee Lozano. In Communicating Vessels, friendship and artmaking become productive, if precarious, portals through which to escape the isolation of the self.

Psychedelic experience as a means to dissolve the ego and yield new models of collectivity is central to the new installation, Set and Setting. This work is informed by historical and contemporary psychedelic trials performed within research settings. Juxtaposing animated drawings sourced from early trial documents and architectural sets that recall institutional examination rooms, Set and Setting suggests that the boundary between subject and viewer is not only thin, but porous and continuously shifting.

By making use of radical and lateral modes of thinking and storytelling, MacDonell affirms how art can be both a necessary clarifier and serve as an essential tool in world building.

Annie MacDonell is a visual artist and filmmaker. Her early training was in photography, and the image continues to play a central role in her projects. Her work also includes installation, sculpture, writing, and performance. In recent years, film has become a focus. Her films (sometimes produced with collaborator Maïder Fortuné) are shaped by feminists principles of politics as a daily practice. .

She received a BFA from Ryerson University in 2000, followed by graduate studies at Le Fresnoy, Studio National des Arts Contemporains, in France. Her films “Book of Hours” (2019) and “Communicating Vessels” (with Maïder Fortuné, 2020) have screened extensively internationally. Recent solo shows have been held at Gallery 44, Parisian Laundry, the AGO, and the Art Gallery of Mississauga. She has participated in group shows at The Art Museum of the University of Toronto, CAG Vancouver and Mackenzie Art Gallery. Recent performances have been presented at Nuit Blanche Toronto, le Centre Pompidou and the Toronto International Film Festival. In 2012 she was short-listed for the AGO AIMIA prize for photography, and she was long listed for the Sobey Art Award in 2012, 2015 and 2016. In 2020, she and Maïder Fortuné won the Tiger Award for Best Short Film at the Rotterdam International Film Festival, for their film “Communicating Vessels”.

Installation of Annie MacDonell: The Beyond Within at the Robert McLaughlin Gallery, 2022. Images by Toni Hafkenscheid.

PA Day Camp 2022

This camp is full.

Join in the fun for a full day of art exploring and creating in the studio! We will paint, print and sculpt the day away.

Monday, October 24 from 9am to 4pm

Ages 5 to 10

$45 Members/$55 Non-Members

Here’s how Camp will look this year:

The RMG will remain closed to public on Mondays – only camp participants onsite
Drop-off between 8:45am and 9am
Small camp cohorts
Mask friendly camp for staff, volunteers and participants
Rigorous cleaning throughout the day
Pick-up at 4pm

COVID -19 protocols and guidelines

Should we be unable to offer onsite camps, we will do our best to offer alternative options to keep your child engaged with art making experiences. If we must cancel camps due to public health restrictions, we will issue full refunds. Cancellations by participants will be subject to our cancellation policy.

Frequently Asked Questions

If you have questions or concerns that aren’t addressed here, please feel free to contact the Learning Department. More detailed information about camps and the Learning Team will be sent to registered families prior to the first day of camp.

I see that you do online registrations, can I register in-person or over the phone?

While we prefer online registrations, we do accept in-person (cash, debit, VISA and Mastercard) and phone registrations (VISA and Mastercard). There is a mandatory registration form that needs to be completed fully for each camper at the time of payment. These forms are reviewed by staff and documented in order to ensure we know what’s what, and who to contact. We may reach out to families if we have follow-up questions prior to camp.

Families who choose to make payment over the phone will be emailed a copy of the registration form. The form must be filled out and sent back as soon as possible to secure the spot.

What is your maximum capacity?

15 campers maximum per camp.

What if I have a child that is outside the age range, can they still join?

All of our camps are geared specifically for children within the designated ages. In order to ensure the best experience for everyone, participants must fall within the indicated age range.

Are pre- and post-care available?

No, unfortunately, we are not able to offer this service.

What type of activities have you planned, are campers outside at all?

Campers spend equal time in the Lookout and the Studio. Camp will have in-gallery interactive visits include looking activities, games, and sketching. We also have a new fully fenced space! We plan to eat snacks and lunch outside, and play games, if the weather is agreeable. We will also take advantage of beautiful days with outdoor art making projects whenever possible.

Do you provide snacks/lunch?

Parents are asked to pack a water bottle, peanut free snacks and lunch daily. There are two snack breaks and lunch is from 12-1pm.

What else might my child need to bring?

We recommend sunscreen and a hat for outdoors, if you believe your child may need a change of clothes please provide that. The RMG is air conditioned and some campers may feel more comfortable having a hoodie/sweater on hand should they feel cold throughout the day. Please ensure your child wears art friendly clothing and comfortable footwear.

What is the staff to camper ratio?

We aim for a minimum of 1 to 7 ratio.

Do you provide a “kiss and ride”?

Drop-off takes place from 8:45am – 9:00am. We ask campers are signed in with a staff member in the front lobby. Families can choose to escort their camper to their “homeroom” or a camp staff member can ensure your child gets to their room.

Families may choose to do a “kiss and ride” drop off in the mornings at the front of the building starting at 8:45am.

We require all families to pick up their camper in the lobby at the end of day at 4pm. Only authorized adults will be allowed to sign out campers.

OPG Sunday: Colourful Collages

This month, we will be exploring elements of colour and design through a contrasting collage activity. We will look at puzzle pieces to create funky designs and piece them together into a colourful arrangement.

Free admission.

This is a drop in event. No registration is required.

This event is generously sponsored by Ontario Power Generation.

OPG Sunday: Celebrate World Kindness Day

This month, we are celebrating World Kindness Day while taking inspiration from our permanent collection exhibition The Ties That Bind. We will explore how we spread kindness in our community. We will use gelli plate printing to create beautiful cards for members of our community, and make friendly figures with plasticine.

Join us at 11am for a storybook reading of I Am Enough by Grace Byers.

Free admission.

This is a drop in event. No registration is required.

This event is generously sponsored by Ontario Power Generation.